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Literature, Theater, and Writing
hoaxes throughout history.
Jim Lewis is a noted local historian, lecturer and tour guide,
focusing primarily on the Civil War, WWII, and Cold War years.
His bi-annual Hunter Mill Rd. Corridor Historical Tour has been a
favorite for years. He’s also authored 30-plus historical markers and
been a past “Lord Fairfax” designate.
F306Z Always Moving Forward: A History of
Women in Higher Education in the U.S.
Wednesdays, 11:50—1:15, July 24—July 31
Two sessions
Instructors: Irene Harwarth, Cynthia Miller
This course will provide a historical context for issues
regarding women in higher education today. The rst
class will be an overview of the history of women in all
U.S. higher education institutions, not only as students
but also as professors and administrators. The second
class will focus on women’s colleges in the U.S. and their
historical signicance. It will also look at the challenges
women’s colleges faced as higher educational institutions
became coeducational, and the many strategies they are
using today to continue playing a role in serving women in
American higher education.
Irene Baden Harwarth earned her PhD in Public Administration
from The George Washington University. She worked in the
federal government in Washington D.C. for close to 30 years. Her
work included development of research projects and technical
assistance centers in higher education policy.
Cynthia Miller earned her PhD in Educational Leadership at the
University of North Texas. She has worked for local and federal
government, taught for several universities (in education, research,
political science, and criminal justice) and has over 25 years of
research and grants experience.
400 Literature, Theater,
and Writing
Program Planning Group Chairs:
Pat Bangs, Linda Bergman, Jane Fitzgibbons,
Norma Jean Reck
F401Z You’re a Wonder, Wonder Woman: The
History of Female Superheroes
Mondays, 11:50—1:15, June 24—July 29
Six sessions
Instructor: Allen Wright
This course will explore the development of female
superheroes alongside the rise of women’s rights from the
suffrage movement to today’s ght for gender equality.
We’ll discuss Miss Fury, the rst female superhero created
by a woman only two years after Superman’s debut. We’ll
look at the background of Wonder Woman, representing
the new liberated woman of the 1940s for her feminist
creator. We’ll see how Batgirl slowly transformed from
girl sidekick to disabled computer genius. And how 20th
century feminist and civil rights movements inspired diverse
characters like Storm from X-Men and Echo from Daredevil,
with a special emphasis on female-created superheroes and
the struggle for women artists and writers to be recognized
in a male-dominated medium. From Sheena, Queen of the
Jungle, to Ms. Marvel, we’ll survey the rising cultural power
of women through their superhero counterparts.
A former specialist at the CBC, Allen Wright has appeared in
award-winning radio and TV documentaries about heroes and
has published articles on comics and presented at academic
conferences around the world. He is the creator of boldoutlaw.
com—a celebrated educational website on the Robin Hood legend.
F402 / F402Z Willa Cather’s Lucy Gayheart
Tuesday, 11:50—1:15, June 25
One session
Instructor: Jane Fitzgibbons
Lucy Gayheart, Willa Cather’s penultimate novel, was
written in 1935 when she was considered America’s
foremost woman novelist. The title character is a lovely,
vivacious young lady who has a story worth telling. Lucy is
from a small town in Nebraska and after high school has
an opportunity to study piano in Chicago. Lucy aspires
to be a music teacher and also to see a wider world than
Haverford, Nebraska. The novel is divided into three
sections and the rst section covers Lucy’s foray into the
world of music as she becomes a practice accompanist to a
famous middle-aged international baritone with whom she
falls in love. The second section explains what happens to
Lucy when she returns to her hometown after heartbreak
and disappointment in Chicago. The memorable third
section focuses on Lucy’s childhood friend, Harry Gordon,
who expected to marry her and reminisces about what
she meant to him and still means to him 27 years after she
rejected him. If Lucy Gayheart is structured like a symphony,
this section is the coda. Willa Cather detested what she
called “sentimental women’s ction” and this novel is
denitely not sentimental but it is romantic with echoes
of Gothicism. It is also very musical using the lieders of
Shubert and others to move the story along. One of the
most powerful Catherian themes is the importance of
memory in bringing enlightenment, whether the memory
is painful or joyful. Cather believed that memories can be
more life-dening than reality and that the only real life is in
the imagination, in desire, and in memory. It matters what
you remember. Lucy Gayheart contains several Catheresque
staples—wonderful descriptions of the Nebraska landscape,
appreciation of Old World values (Lucy’s father is a German
watchmaker who plays the ute), oppositions like country
and city, and, most importantly, the artist’s struggle to
balance his or her talent with the need for personal
happiness. This novel deserves the critical reconsideration
that it has lately received.
Jane Fitzgibbons retired from the federal government in
2020. During her government career, she headed training and
communications departments. She has an MS in National Security
Strategy from the National War College and an MA in Politics and
Literature from the University of Dallas where her admiration for
the works of Willa Cather began, which led her to a forum at the
University of Nebraska on the centenary of Ms. Cather’s birth. She
attended two Willa Cather conferences in 2023: one honoring
Willa Cather’s sesquicentennial birthday and one focusing on Ms.
Cather’s literary life in New York City.