OBAFEMI AWOLOWO UNIVERSITY,
ILE-IFE, NIGERIA
FACULTY OF ARTS
DEPARTMENT OF MUSIC
2012/2015 HANDBOOK
1
CONTENTS
Page
Addresses 3
Officers of the University 4
Officers of the Faculty 5
Academic Staff by Research Interests 6
Departmental Non-Academic Staff 8
Introduction 9
Philosophy and Objectives 11
Use of Hezekiah Oluwasanmi Library 12
Examination Regulations 13
Student Affairs 16
B.A. Degree Programmes in the Department of Music 18
Content of Courses of the Department 20
Workload by Students 32
The Postgraduate Programme 64
A List of Titles of Degree Projects by Students in the Department 74
Departmental Alumni List 77
Publication 82
Patent 82
2
ADDRESSES
University’s Postal Address: Obafemi Awolowo University, Ile-Ife, 220005, Nigeria
Telephone: (036)230290 (Ten Lines)
Telegrams: ifevasity, Ile-Ife
Website: www.oauife.edu.ng
The Institute of Agricultural Research and Training (IAR&T) Ibadan
Postal Address: Moor Plantation, Ibadan
Telephone: (02)23112523, 2312861
Cables and Telegrams: INSTRAGRIC IBADAN
3
OFFICERS OF THE UNIVERSITY
Chancellor
His Royal Highness Alhaji Kabir Usman, The Emir of Katsina
Vice-Chancellor
Professor Bamitale Idowu Omole
B.A., M.Sc. (Ife), Ph.D (Bordeaux), PGD (The Hague)
Deputy Vice-Chancellor (Academic)
Professor Ayobami Taofeek Salami
B.Sc., M.Sc. PGD, Ph.D. (Ife)
Deputy Vice Chancellor (Administration)
Professor Saburi Adejimi Adesanya
B.Sc. (Ibadan), M.Phil. (Ife), Ph.D. (London)
Registrar
Mr. Ayorinde Olurinde Ogunruku
B.A. Ed. (Eng), M.P.A. (Ife), FCIPA
Librarian
Mrs. Bukky Olufemi Asubiojo
Acting Bursar
Mrs. Josephine Aderonke Akeredolu
4
OFFICERS OF THE FACULTY
Dean: Prof. L.O. Salami
Vice Dean: Dr. D.O. Ogungbile
FACULTY OFFICE STAFF
1. Mr. J. A. Ayeni Deputy Registrar (Faculty Secretary)
2. Mr. A.Y. J. Onioko Assistant Registrar
3. Mr. E O. Popoola Admin Officer I
4. Mrs. M.M. Gbadegesin Chief Secretariat Assistant
5. Mrs. S.A. Adesina Chief Secretariat Assistant
6. Mr. A. G. Arifayan Senior Superintendent Driver I
7. Mr. E. A. Jegede Chief Clerical Officer
8. Mr. O.E. Elugbaju Higher Executive Officer
9. Mr. O.O. Adeyeye Chief Office Assistant
10. Mr. O. Awoyeju Chief Office Assistant
11. Mrs. Mary Happy Oriorohwo Clerical Officer
12. Mr. Taiwo Odusina Clerical Officer
5
ACADEMIC STAFF LIST
S/N
Names
Qualifications
Ranks
Research Interest
Room No
E-mail
1.
M.O.
Olatunji
B.A., M.A.,
Ph.D. (Ife)
Senior
Lecturer
Performance,
Composition,
Church Music,
Military Music,
Music Criticism,
Ethnomusicology
, &
Music of the
Mass Culture
AFST Rm
306
mykemiusic2000@yahoo
.com
2.
S.O.
Adedeji
B.A.,(Ife),
M.A.,
Ph.D.(Ibadan)
Reader
Performance,
Composition,
Music
Technology,
Church Music, &
African
Musicology.
Humanities
Blk 3 Rm
304A
om
3
C.O.
Olaniyan
B.A., M.A.,
Ph.D.(Belfast)
Senior
Lecturer
Performance,
Composition,
Church Music, &
Ethnomusicology
AFST Rm
214
4.
O.M.A.
Daramola
B.A., M.A.,
Ph.D.(Ife)
Senior
Lecturer
Performance,
African &
Is
lamic Music,
Traditional
Music
Ethnomusicology
,&
Music of the
World Culture
Humanities
Blk 3 Rm
304C
5.
O.J.
Pinmiloye
B.A. M.A.,
(Ife)
Assistant
Lecturer
Performer-,
Music
Technologist-, &
Ethnomusicologi
st-in-training
IAS Rm 206
6.
O.S.
Adekogbe
B.A.,
M.A.(Ife)
Assistant
Lecturer
Theorist-, &
Music
Technologist-in-
training.
AFST Rm
205
Bosunadekogbe27@yaho
o.com
7.
O.B
Owoaje
B.A.(Ife),
M.A.(Lagos)
Assistant
Lecturer
Performer-,
Composer-, &
Music
Technologist-in-
training.
Humanities
AFST Rm
205
8.
T.A.
Omosilade
B.A. (Ife)
Graduate
Assistant
Music Theorist-
in-training.
Humanities
Blk 3, Rm
304B
9.
R.O. David
B.A. (Ife)
Graduate
Assistant
Music Theorist-
in-training.
Humanities
Blk 3, Rm
304B
m
6
ASSOCIATE LECTURER(S)
S/N
Name(s)
Qualifications
Rank(s)
Research Interest
Room
No.
E-mail
Address
1.
A. Adegbite
B.A., M.A.,
Ph.D.
(Pittsburg)
Professor
Composition,
Church Music,
Music Education,
Ethnomusicology,
& Music of the
World Culture
AFST
Rm 301
7
DEPARTMENTAL NON-ACADEMIC STAFF
1. Miss R.A. Chinwuba Chief Secretariat Assistant
2. Mr. M.A. Adebowale Principal Technical Officer II
3. Mr. G.A. Akintunde Artist I
4. Mrs. M.T. Omotosho Senior Technical Officer (Instrumentalist)
5. Mr. O. I. Ogunyemi Senior Technical Assistant in Training
8
INTRODUCTION
The Department of Music was one of the liberal arts departments that became offshoots of
the Institute of African Studies in the late seventies. The Department was established in 1976,
had its first set of students in 1979 and its first set of graduates in 1982. In 1990, the
Department produced its first 1st Class Honours graduate in Music. The Department has
since inception remains one of the principal player in achieving the dreams and aspirations of
the founding fathers of the University, most especially in the areas of learning and culture.
The Department of Music anchors qualitative delivery of services in three fundamental areas
in terms of teaching, research and service for which a University is known and recognized.
Though a small Department, its responsibilities and services to the immediate and remote
societies cannot be overemphasized. Since its inception the Department had supplied and had
continue to supply well qualified music graduates to meet the various demands of Institutions
of Learning both within and outside the country; Radio Broadcasting and Television stations;.
Ministries of Education, Cultural Affairs and Tourism, Armed and Para-military Forces,
Recording Industries, Social Organizations and the general public. Its current academic staff
establishment based on FTE staff/student ratio is eighteen (18). However, due to difficulty in
getting qualified personnel to appoint, its present staff strength is nine (09).
The Department of Music primarily trains student at the undergraduate level for the award of
the following Bachelor of Arts (B.A.) degrees:
(i) B A. Degree in Music in seven specialization areas.
(ii) A combined honour programme (B.A. degree) in Music and Fine Arts. This
programme is designed for students interested in taking appointments in the public
service, electronic and print media or in the international civil service, after
graduation, in addition to those willing to take academic positions. The
programme maintains a careful balance between the two areas of specialization.
(iii) A combined honour programme (B.A. degree) in Music and Religious Studies.
This programme is designed for students interested in taking appointment in the
public service and priesthood, after graduation, in addition to those willing to take
academic positions. The programme maintains a careful balance between the two
areas of specialization.
(iv) A combined honour programme (B.A. degree) in Music and Yoruba. This
programme is designed for students interested in taking appointments in the public
service, electronic and print media, or in the international civil service, after
graduation, in addition to those willing to take academic positions. The
programme maintains a careful balance between the two areas of specialization.
It also trains students at the postgraduate level for the award of M.A. and PhD (Music).
Members of staff in the Department had contributed immensely and are still contributing to
the collective academic efforts at building human capacity for rational and cultural
development and for the building of a virile nation and effective citizens. The Department has
established a mutual understanding between the academic performers in the Department (the
gown) and the non-academic performers in the society (town) thereby facilitating
collaborative efforts in the training of manpower to meet the societal demands in the areas of
music from conception to consumption. The appointment of Chief Sunday Ishola Adegeye
(King Sunny Ade) a juju maestro as an instructor in the Department is a testimony of the fruit
of these efforts. This is anticipated to further improve the quality of interaction of the
Department with the music industry within and outside the country. The plan to establish an
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exchange programme with a Department of Music at a U.S. based University is already at its
peak. This is expected to further enhance students’ exposure and interaction with
contemporary technology and equipment used in music making.
In the areas of research, the staff of the Department from the founding fathers such as
Professors Akin Euba, Tunji Vidal and Ademola Adegbite to the current academic staff
members are first-rated academics. They have been very active in breaking new grounds in
music research which spans a wide range of diverse interests. These range from Music
Theory to Music Production and Management with application in African Traditional Music,
Music Technology, Music Criticism, Christian/Islamic music traditions, Music of the Mass
Culture, and Music Education.
The academic and non-academic staff’s abilities are not in doubt; the academic staffs in
particular, are recognized locally and internationally. The Department has its curriculum
reviewed periodically to meet up with emerging and current challenges and ever increasing
knowledge in the global academic and political world.
Thank you.
M.O. Olatunji (Ph.D)
Ag. Head
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PHILOSOPHY AND OBJECTIVES FOR B.A. DEGREE PROGRAMMES
The Department believes that B.A. (Music), B.A. (Music and Fine Arts); B.A. (Music and
Religious Studies); and B.A.(Music and Yoruba) Degree Programmes in an African
University should have an African focus while at the same time, strive to attain International
Standard. The programmes therefore have the following as their objectives:
(i) To study Music in its universal dimensions
(ii) To prepare and produce graduates of Music who will be competent musicians in the
international sense with an understanding of both the art and science of music as well as the
tools for music appreciation, analysis and practice of both Western European music and
African music, and the ability to communicate these principles to others.
(iii) To develop creative and performance concepts arising from:
(a) the presentation of African Traditional Music as a contemplative art; and
(b) the use of notation in the composition of music cultures.
(iv) To prepare students for a profession in the practice and/or teaching of music at
various levels of education, broadcasting, the military, media houses, and other avenues of
private and public use and in entertainment.
(v) To develop a training method that will enable Africans to play a maximum role in the
International world of Music and to lay the foundation for further studies in music (at post-
graduate and other levels) leading to professions in music, including teaching at the tertiary
level, research, and other functions in such places as Research Institutes, Museums, Arts
Council, Recording and Broadcasting studios.
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USE OF HEZEKIAH OLUWASANMI LIBRARY
Hezekiah Oluwasanmi Library (HOL), which is the main library of the Obafemi Awolowo
University, is located at the heart of its academic section.
Every student of the University is expected to register at the HOL upon admission and renew
such registration at the start of subsequent sessions. Upon registration, students receive a
Ticket and Borrowers’ Card four for undergraduates and six for postgraduates) which must
be presented at the loaning desk whenever books are to be borrowed. The loaning period is
usually two weeks. A further two weeks renewal could be obtained provided the volumes are
not booked.
The HOL has a wide rand of collection which will almost always meet the academic
requirements of courses floated in the Department of Music.
The HOL consists of two main areas: the undergraduate and the research areas. The
undergraduate areas are the Reading Rooms B-G which consist of shelved books. The
contents of these could be determined through an appropriate use of the Catalogue section
which occupies the central section of the Ground floor of the HOL. The research areas consist
of the two Journal Rooms, Africana, Government and UN Documents, and the Theses Room.
Lost tickets and or Borrowers’ Cards may be replaced upon a submitted written application.
All volumes borrowed must be returned at the end of each academic session and at the
expiration of studentship of the bearer. Failure to do such may attract severe penalties.
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EXAMINATION REGULATIONS
A candidate for a University examination must have registered for the courses in the
prescribed format not later than the closing date prescribed for registration for such courses.
Any candidate who fails to register for courses at the appropriate time as prescribed by the
Senate will not be allowed to take any examination in such courses. Any examination taken
without course registration shall be null and void.
Students who register for courses are committed to the number of units registered for and are
expected to take examinations in such courses. If a student failed to take an examination,
he/she would be scored ‘0F’ for the number of units he/she has registered for and in which
he/she had failed to take the prescribed examination.
Any student who does not have any course or courses to offer in a semester should apply for
leave of absence.
A candidate who has less than 15 units in a particular semester to graduate should apply to
his/her Faculty Board for permission to register for less than 15 units. Failure to do so
constitutes a breach of regulation which may result in the non-processing of the candidate’s
results.
A candidate who cannot register for courses during the prescribed period for registration
because of an illness must ensure that medical report on his/her illness is forwarded by
him/her or his/her parents/sponsors to reach the Dean of his/her Faculty not later than four
weeks after the end of normal registration period as scheduled in the University Calendar.
Such a medical report should be forwarded for authentication by the Director of Medical and
Health Services for it to be considered valid. Such a candidate shall be exempted from
penalties of late registration. All applications should be routed through the Head of
Department.
Students must attend a minimum of 75% of course instruction including lectures, tutorials
and practical where required to qualify to sit for examination in any course.
A candidate for a university examination in a particular degree programme should not be a
regular candidate for another degree in this or any other university concurrently. Any
candidate so discovered shall forfeit his/her studentship.
The time appointed for the examination in each paper as indicated in the examination Time-
Table must be strictly adhered to. When it absolutely necessary to reschedule an examination,
the Head of Department will do so after consultation with the Director of Academic Affairs
who will publicise it.
No candidate shall be allowed to enter an examination room later, or to leave an examination
room earlier than ten minutes before the commencement of the examination.
No candidate shall be allowed to enter an examination room later, or to leave an examination
room earlier than thirty minutes after the beginning of an examination session. Any candidate
who seeks entry into the examination room after the first thirty minutes may be allowed to do
so by the Invigilator, but such cases shall be reported in writing through the Registrar to the
Committee of Deans. Candidates who arrive later shall not be allowed extra time.
13
While the examination is in progress, no person(s) other than Chief Examiner/Coodinator, the
Invigilators, the Attendants, the Registrar or his representative and Medical Officers shall be
allowed to enter the examination room except that the examiner(s) in each paper shall be
present during the first thirty minutes of the examination and at such other times as may be
requested.
A candidate shall not be allowed during an examination to communicate by word or
otherwise with any other candidate nor shall he/she leave his/her place except with the
consent of an Invigilator. Should a candidate act in such a way as to disturb or inconvenient
other candidates, he/she shall be warned and if he/she persists, he/she may, at the discretion
of the invigilator, be excluded from the Examination room. Such an action by the Invigilator
must also be reported to the Vice-Chancellor.
A candidate shall not remove from an examination room any paper, used or unused, except
the question paper and such book and papers, if any, as he/she is authorised to take into the
examination room.
At the close of an examination, candidates shall hand over their answer scripts to the
Invigilator and not them on the desk for the Invigilator to collect. The Invigilator should
move from row to row collecting scripts from candidates and on no condition should
candidates be allowed to leave the room while their scripts are lying on their desks. The
Invigilator shall check the Candidates” answer book against the attendance lists for the
particular examination and arrange the answer books in numerical order. He shall then parcel
and seal the answer book together with four copies of the relevant question paper and the
copy of the signed attendance sheet and deliver them to the Head of Department. The Senior
Invigilator must ensure that the unused answer books are returned to the representative of the
Registrar present during the examination. Candidates remaining till the end of any paper shall
submit their scripts and leave the examination room in order in which they were seated.
Until the time when candidates are allowed to leave the examination room, no copy of any
question paper shall be removed frome the examination room without the consent of the
Invigilator.
In case a candidate has to leave the examination room temporarily, he/she shall be
accompanied by an Invigilator.
Candidates should leave their signed signature slips together with their Identity cards on their
tables throughout the period of Examination.
ABSENCE FROM EXAMINATION
Candidates must present themselves at such University examinations for which they have
registered under these regulations. Candidates who fail to do so for reason other than illness
or accident shall be deemed to have failed that examination. Misreading of the Time-Table
shall not be accepted as a satisfactory explanation for absence.
Any candidate who on account of illness is absent from a University examination may be
permitted by the Senate on the recommendation from the appropriate Faculty Board, to
present him/herself for such examination at a future date provided that:
14
(i) A full-time student in the University shall report any case of illness to the University
Health Centre at all times.
(ii) The Health Centre shall at the end of each Semester submit to the Registrar the names
of all students that are hospitalized.
(iii) When a student falls ill during examinations he/she should first and foremost report to
the Director, Medical and Health Services before attending any hospital outside the
University. A report of sickness should be made to the Registrar within a week and a medical
certificate for validation of his/her illness within three weeks.
(iv) When a student falls ill before an examination he/she shall be under an obligation to
send a medical report countersigned by the Director, Medical and Health Services within one
week of such illness. Any time outside this period, shall be considered on its own merit.
(v) The Director of Medical and Health Services should, within 48 hours, submit a
medical report on a candidate who is ill during an examination and is taken to the Health
Centre or hospital for treatment.
(vi) A candidate who cannot register for courses during the prescribed period for
registration because of illness, must ensure that a medical report on his/her illness is
forwarded by him/her or his/her parents/sponsors to reach the Dean of his/her Faculty not
later than two weeks after the end of the normal registration period as scheduled in the
University Calendar. The Dean should forward the medical report for authentication by the
Director of Medical and Health Services. Such a candidate shall be exempted from penalties
of late registration.
(vii) A candidate applying for leave of absence on medical grounds must forward his/her
application together with a medical report to the Dean of his/her Faculty. The medical report
must be countersigned by the Director of Medical and Health Services.
15
STUDENT AFFAIRS
GENERAL
The Department of Music at the Obafemi Awolowo University is committed to the
integration of student learning and development by creating transformative learning
opportunities that enrich the lives of our students. The Department strives to promote
excellence and encourage student success by engaging students in the life of the University
community. The Department provides accessible programmes and services that support the
diverse needs of our student body, fosters active learning and contributes to their personal
and academic development. We are dedicated to the social, physical, cultural and intellectual
growth of students in preparation for life in a global society. We establish programmes,
services and traditions that empower and enhance the lives of students. The experiences from
these traditions forge lifetime connections to the University and create citizens who
contribute their communities.
CORE VALUES
Dedicated to focusing on students and their development while supporting the University’s
mission, we embrace the following core values:
Student-centered Learning
Respect and Civility
Appreciation for Diversity
Active Studentship
Teamwork and Collaboration with University and Community Partners
Free Expression of Thoughts and Ideas
Personal Integrity and Truth
Academic Success and Personal Development
Responsible, Creative and Innovative Leadership
Accessible programmes and services for all students
Wellness and lifelong Learning
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WHAT WE STRIVE TO DO
Establish a student body that adheres to best practices and highest professional
standards.
Embrace a dynamic culture of planning, evolution and assessment to ensure progress
toward the University and the Departmental goals.
Partner with University community members to enhance and establish new
programmes, services and traditions that empower and transform students’ lives.
Partner with academic units to foster active learning through co-curricular
experiences.
Provide a student-centered environment and on that advocates for students’ needs.
Provide students with opportunities for personal development and academic and
professional success.
Assist students in making a smooth transition and connection to University life
culminating in active alumni affiliations.
Create comprehensive leadership opportunities to serve emerging leaders
Develop a climate that creates a sense of community and inclusiveness that embraces
individual from various diverse backgrounds.
Provide a campus experience that engages student in a vibrant campus life, engenders
pride in being a student of Obafemi Awolowo University, forges lifetime connections
to the University, and creates citizens who contribute to their communities.
17
B.A. DEGREE PROGRAMMES IN THE DEPARTMENT OF MUSIC
The Department of Music offers four undergraduate programmes and a Diploma in Music,
viz:
(i) B A. Degree in Music.
(ii) A combined honours programme (B.A. degree) in Music and Fine Arts. This
programme is designed for students interested in taking appointments in the public
service, electronic and print media or in the international civil service, after
graduation, in addition to those willing to take academic positions. The
programme maintains a careful balance between the two areas of specialization.
(iii) A combined honours programme (B.A. degree) in Music and Religious Studies.
This programme is designed for students interested in taking appointment in the
public service and priesthood, after graduation, in addition to those willing to take
academic positions. The programme maintains a careful balance between the two
areas of specialization.
(iv) A combined honour programme (B.A. degree) in Music and Yoruba. This
programme is designed for students interested in taking appointments in the public
service, electronic and print media, or in the international civil service, after
graduation, in addition to those willing to take academic positions. The
programme maintains a careful balance between the two areas of specialization.
(v) Diploma in Music.
Admission Requirements:
(a) Entry to Part I
Passes in any five subjects at credit level to include English and at least One Arts
subject at the Senior Secondary School Certificate (SSSCE), General Certificate
Examination (GCE) or its equivalent. Candidates are free to have a combination of
Arts and Natural/Social Sciences subjects. Such candidates do not necessarily have to
offer Music either at WAEC or GCE but must offer JAMB Examination in Music
(b) Entry to Part II
In addition to passes in any five subjects at Credit level including English, candidates
must have any One of the following:
(i) Diploma in Music from Obafemi Awolowo University or any other recognized
Higher Institution.
(ii) Associated Board of Royal School of Music (ABRSM) London, Grade VIII or
its equivalent
(iii) Certificate in Music or its equivalent.
(iv) Ordinary National Diploma (OND) (Upper Credit) in Music or its equivalent.
(v) National Certificate of Education (NCE) in Music or its equivalent (Upper
Credit).
REQUIREMENTS FOR A DEGREE
Total number of Units required for graduation is 167-170. Direct entry students are
required to complete a total of 129-132 units. The Units are distributed as follows:
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A) 4-Year Programme: 132-137 units of courses within the Department, 23 units of
elective courses from outside the Department and 12 units of Special Electives.
B) Direct Entry Students: 100-103 units of courses within the Department, 17 units
of elective courses and 12 units of Special Electives.
The electives outside the Department are to be taken from any Department in the
Faculty of Arts or the Faculties of Education, Science and Technology.
19
B.A. (MUSIC) PROGRAMME
DEGREE OFFERED
The degree of Bachelor of Arts in Music shall be awarded on successful completion of the
programme with options in one of the following specialization areas:
(a) Theory and Composition
(b) Performance
(c) Musicology
(d) Music Education
(e) Church Music
(f) Popular Music
(g) Music Production and Management
CONTENT OF COURSES OF THE DEPARTMENT OF MUSIC
PART I
MUS 101: Music As An Art and Science 3 Units
An inquiry into Music as a humanistic expression. The creative genius of man through the
ages and in various races and cultures, employing the elementary tools of rhythm, melody,
harmony and colour. A non specialized inquiry into the scientific properties of musical sound
(such as frequency and intensity) and their psychological counterparts (such as pitch and
volume), and an elementary discussion of musical acoustics.
MUS 111: Rudiments of Music I 3 Units
Beginning music theory, including notation of rhythms, scales intervals, chords, and general
rudiments of music. Study of musical terms and basic musical forms.
MUS 112: Rudiments of Music II 3 Units
Continuation of Music 111. Diatonic and chromatic intervals in all keys and scales; inversion
of intervals. Compound intervals. Triads of the major and minor scales; primary and
secondary chords in all major and minor scales. Inversion of chords. Connection of chords:
antecedent and consequent phrases; cadences; musical terms and abbreviations; simple
harmonic analysis and identification of chords; structure of all seventh chords.
MUS 121: Introduction to Dictation and Sight Singing 2Units
A course on the rudimentary aspects of listening to notating and reading music at sight;
designed for beginners, the course teaches the art of visual and aural recognition, sight-
reading, sight-singing and notation of musical elements such as pitch, rhythm, melody,
intervals, and triads using both the staff notation and the tonic sol-fa systems.
MUS 122: Foundations of Musicianship I 3 Units
A course in Ear Training, including notation of rhythms, scales, intervals, and chords; sight
singing and rhythmic coordination of sight and sound. Melodic, harmonic and rhythmic
dictation (including African tunes).
20
MUS 124: Tonal Harmony I 2 Units
A course in elementary diatonic harmony in 2, 3, and 4 parts employing a harmonic
vocabulary up to and including the chords of the Dominant.
MUS 131: Introduction to Western Music Literature 2 Units
A listening course on selected works of well known composers of the common period
(Baroque, Classical, Romantic) of Western Music. A Music appreciation course designed for
beginners in Music.
MUS 132: Survey of the History of Western Music 3 Units
A general survey of the history and development of Western Musical forms from the earliest
times to the present days. The forms include troupes, sequence, motet, mass, symphony,
binary, ternary etc.
MUS 141: African Music I 2 Units
A survey of the role and function of music among the peoples of Africa. Forms of traditional
music in society, influences by external forces; African musical instruments and performance
techniques; Geographic areas: - West Africa and North Africa. Musical examples would be
played and discussed in class.
MUS 142: African Music II 2 Units
A survey of the role and function of Music among the peoples of Africa. Forms of traditional
music in society. Influences, by external forces. African musical instruments and
performance techniques, Geography areas: Central Africa, East Africa and Southern Africa.
Musical Examples will be played and discussed in class.
MUS 151: Basic Piano I 1 Unit
Instruction in basic keyboard skills for beginners. Class piano lessons; with about 4 hours of
individual (Private) per week required of each student.
MUS 152: Basic Piano II 1 Unit
Instruction in basic keyboard skills for beginners.
MUS 161: Elementary Instrument or Voice I 1 Unit
Individual or class lessons, with about 4 hours of (Private practice each week required of the
student.
MUS 162: Elementary Instrument or Voice II 1 Unit
Individual or class lessons, with about 4 hours of (Private practice each week continued.
MUS 171: University Chorus I 1 Unit
A performance study of selected choral music repertoire involving a large (or fairly large)
mixed voice chorus performing music by African and Western composers e.g. (Bach, Handel,
Mozart, T.K.E. Phillips, Ayo Bankole etc.)
MUS 172: University Chorus II (As in MUS 171 above) 1 Unit
MUS 173: University Band/Orchestra II 1 Unit
A performance study of selected band music repertoire from European and African traditions.
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MUS 174: University Band/Orchestra II (As in MUS 173 above) 1Unit
Repertoire to include works of African composers
MUS 175: African Music Ensemble I 1 Unit
A performance course in African music and dance repertoire. Utilization of various
combinations of indigenous and other African musical instruments in order to achieve
authentic and new African orchestral sounds. Improvisation and experimentation under the
supervision of the instructor, Traditional dance choreography.
MUS 176: African Music Ensemble II (As in MUS 175 above) 1 Unit
MUS 177: University Glee Club I 1 Unit
A fairly large male voice group singing all kinds of music for male voices from serious
sacred works to Class, folk songs (especially those of African and even popular songs.
MUS 178: University Glee Club II (As I n MUS 177 above) 1 Unit
PART II
MUS 221: Foundation of Musicianship II 2 Units
A course in further Ear Training. Higher drills in the coordination of sight and sound. Sight
singing and more difficult melodic, harmonic and rhythmic dictation (including African
tunes) than in MUS 122.
MUS 222: Foundations of Musicianship III 2 Units
Continuation of MUS 221. Emphasis on chromatic melodies, chromatic harmony, chromatic
intervals, compound metres, multiple metres, polymetres, modulation (gradual and abrupt)
pentatonicism, pandiatonicism and panchromaticism.
MUS 223: Tonal Harmony II 2 Units
A course in the art and practice of homophonic writing employing increased harmonic
vocabulary than those MUS 122 harmonic vocabulary includes 7th chords. Suspensions and
modulations.
MUS 224: Tonal Harmony III 2 Units
Continuation of MUS 223. Full scale harmonic writing in S.A.T.B. and Piano style.
Harmonic vocabulary to include secondary 7th chords, dominant 9th and 11th cords, passing,
stationary and cadential six-four chords; First inversions of all secondary chords and their
usages and functions. Harmonic motions – parallel, similar, contrary and oblique. Non-
harmonic tones passing, neighbouring, echappee cambiata, appogiatura, anticipation
retardation, pedal point. Triadic and seventh chords through circle of fifths.
MUS 225: Modal Counterpoint I 2 Units
Species counterpoint in 2 or more parts in the five commonly employed ecclesiastical modes.
Study of some of the works of 16th Century composers, such as Palestrina, Lassus, Morley
and Byrd.
22
MUS 232: Western Music Before 1750 3 Units
The history and literature of Western Music in great details, including the study of musical
forms and styles from antiquity to the death of Bach and Handel. The course will be divided
into three sections:
(a) Antiquity and Medieval
(b) Renaissance, and
(c) Baroque.
MUS 241: African Music III 2 Units
A study of the historical background, literary and aesthetic aspects of African music, with
particular reference to specific Nigerian culture groups. (Yoruba, Igbo, Hausa, Ibibio, Edo,
Nupe, Kanuri etc) similarities and differences among various linguistic and religious groups
within Nigeria. Representative musical examples will be played and discussed in class.
MUS 242: African Music IV 2 Units
Continuation of MUS 241 Examination of cross-cultural fertilization within and beyond
Nigeria, forces, and factors responsible. Musical areas; distribution of musical instruments,
Performance techniques and performance practices; live demonstrations using available
musical instruments at class sessions.
MUS 243: Music of Other World Cultures I 2 Units
A survey of the musical cultures of the world: Indian, Arabic, Chinese, Hebrew, Japanese and
Indonesia.
MUS 244: Music of World Culture II 2 Units
Continuation of MUS 243, materials to include Amerindian, Black African, Western and
Eastern European folk music. American and Afro American Music in North and Latin
America.
MUS 251: Basic Piano Studies I 1 Unit
Further keyboard work, including the introduction of chord drills and harmonization of
melodies using the materials of MUS 121-122 in four voices harmony and free style of
accompaniment.
MUS 252: Basic Piano II 1 Unit
Continuation of MUS 251. Playing of all cadences – P.A.C., I.A.C. Plagal, Imperfect, Half,
Interrupted; Major and Minor Scales. Major scale harmonization. Primary chord progression
(I-IV-I-V-I); simple keyboard accompaniment of a folksong for voice and piano.
MUS 261: Primary Instrument or Voice 1 Unit
Individual lessons each week with about 8 hours of private practice per week required of the
student. Open only to students with adequate preparation and potential in performance.
MUS 262: Primary Instrument or Voice 1 Unit
Individual lessons each week with about 8 hours of private practice per week required of the
student. Open only to students with adequate preparation and potential in performance.
23
MUS 263: Secondary Instrument or Voice 1 Unit
Short individual lessons or longer class lessons, with about 4 hours or private practice per
week required of each student. Primarily for students who have demonstrated ability on a
second instrument or voice and for those not advanced enough to take MUS 261.
MUS 264: Secondary Instrument or Voice 1 Unit
Short individual lessons or longer class lessons, with about 4 hours or private practice per
week required of each student continued.
MUS 271: University Chorus 1 Unit
A performance study of selected choral music involving the works of western and African
composers such as Bach, Handel, Schubert, T.K.E. Phillips, Bankole etc.
MUS 272: University Chorus 1 Unit
(MUS 271 continued) leading to concert production.
MUS 273: University Band/Orchestra 1 Unit
A performance study of selected European and African Music for band.
MUS 274: University Band/Orchestra 1 Unit
Continuation of MUS 273 leading to concert production
MUS 275: African Music and Dance Ensemble 1 Unit
A performance study of music and dance repertoires from Africa south of the Sahara.
MUS 276: African music and Dance Ensemble 1 Unit
(MUS 275 continued) leading to concert production
MUS 277: Madrigal Group/Chamber Chorus 1 Unit
A select group of 16 to 24 singers capable of performing works of moderate difficulty of all
periods. Importance will be attached to a good voice and good sight-singing.
MUS 278: Madrigal Group/Chamber Chorus 1 Unit
(Music 277 continued) leading to concert production
MUS 279: University Glee Club 1 Unit
A performance study of choral music repertoire for mixed male voices continued.
PART III
MUS 321: Tonal Harmony IV 2 Units
Practice in homophonic writing employing full harmonic vocabulary, including chromatic
harmony. A study of the art of combining voices under the conditions of tonal harmony as
observed in the musical works of Bach through the 19th century Romantic composers creating
composition for voice and/or piano using this harmonic vocabulary.
24
MUS 323: tonal Counterpoint I 1 Unit
An introduction to tonal counterpoint including the art of writing and combining melodies;
invertible counterpoint, two and three part inventions. Exercises should include species 1, 2,3
and 4.
MUS 324: Tonal Counterpoint II 2 Units
The art of combining vocal and/or instrumental parts, with contrapuntal techniques; imitation,
canon, augmentation diminution; the art of fugue, including fugal exposition only.
MUS 325: Modal Counterpoint II 2 Units
Writing for three or more voices in the style of Palestrina and his contemporaries
MUS 326: Orchestration I
A study of instrumentation (range, playing techniques; idiomatic usage, acoustical factors,
etc.) and orchestration techniques in Western European musical culture. Practical exercises in
problems of scoring following established traditions as well as new original concepts.
MUS 327: Analysis of Western Musical Form 3 Units
Analysis of musical structures, characteristic of the Western classical tradition; from the
chorals to chance of the twentieth century. Systematic approach to basic analytical tools
through representative literature.
MUS 332: Western Music 1750–Present day 3 Units
The history, literature, and form of western music in some detail from the death of Bach and
Handel to the present. The course will be subdivided into three main periods: (a) Classical (b)
Romantic and (c) 20
t
h
Century.
MUS 342: Theory and Analysis of African Music 3 Units
A descriptive and analytical study of the quality of the music of the peoples of black Africa
with regards to tone, rhythm, melody, harmony, form; analysis of the various theories on
form, rhythm, melody, scales, harmony and instrumentation. Problems associated with
notation and transcription of traditional African ethnic music; Trends in contemporary
African music.
MUS 351: Elementary Key-Board Harmony II 1 Unit
Chord drills and harmonization of melodies using the materials of MUS 221, 222, 223, 224,
321 in four voice harmony and free style accompaniment, transposition, modulation and
improvisation.
MUS 352: Elementary Key-Board Harmony II 1 Unit
Chord drills and harmonization of melodies using the materials of MUS 221, 222, 223, 224,
321 in four voice harmony and free style accompaniment, transposition, modulation and
improvisation score reading.
MUS 361: Primary Instrument or Voice I 1 Unit
Individual lessons each week with about 8 hours of private practice per week required of the
student. Open only to students with adequate preparation and potential in performance.
MUS 362: Primary Instrument or Voice II 1 Unit
(MUS 361 continued) Expansion of repertoire.
25
MUS 363: Secondary Instrument or Voice I 1 Unit
Individual lessons or longer class lessons with about 6 hours of private practice per week
required. The course is designed for students who have demonstrated ability on a secondary
instrument or voice.
MUS 364: Secondary Instrument or Voice II 1 Unit
MUS 363 continued) Expansion of repertoire
MUS 365: Choral Conducting I 1 Unit
A course in choir work; manual and baton technique, and the analysis and preparation of
scores for performance.
MUS 366: Choral Conducting II 1 Unit
(MUS 365 continued) Emphasis on development of skills for the practical aspect of
conducting.
MUS 371: University Chorus I 1 Unit
A performance study of selected choral music involving the works of Western and African
composers such as Bach, Handel, Schubert, T.K.E. Phillips, Bankole etc.
MUS 372: University Chorus II 1 Unit
(MUS 371 continued) leading to concert production
MUS 373: University Band/Orchestra 1 Unit
A performance study of selected band music repertoire from European. African and North
American Band repertory.
MUS 374: University Band/Orchestra 1 Unit
(MUS 373 continued) leading to concert production
MUS 375: African instrumental and Dance Ensemble 1 Unit
A performance study of selected African Music and Dance repertoire south of the Sahara.
MUS 376: African Instrumental and Dance Ensemble 1 Unit
(MUS 375 continued) leading to production of African music and dance concert.
MUS 377: Madrigal/Chamber Chorus 1 Unit
A selected group of 16 to 24 singers capable of performing works of moderate difficulty of
all periods. Importance will be attached to a good voice and good sight-singing
MUS 378: Madrigal/Chamber Chorus 1 Unit
(MUS 377 continued) leading to concert production
MUS 379: University Glee Club 1 Unit
A performance study of choral music repertoire for mixed male voices.
MUS 380: University Glee Club 1 Unit
(MUS 379 continued) leading to concert production.
26
PART IV
MUS 401: Acoustics and Psycho-acoustic of Music 3 Units
The physics of musical sounds and musical instruments; sound waves, vibrations, fractional
vibrations. Frequency, amplitude, phase, harmonics and harmonic series; formants, transients,
consonance, dissonance. Thresholds of audibility, perception of change – pitch, volume, tone
colour, Psychological effects of acoustic features. Mathematical calculations of musical
sound productions – just intonation, Pythagorean scale, equal temperament, comma;
elementary acoustic phonetics.
MUS 402: Music and the Technical Media 3 Units
A study of the mechanical transmission of music through the mass media, including
techniques of recording and presentation use of music in the Radio, Television, audio and
photographic equipments. The musician as producer and Director of music programmes.
Preparation and presentation of an original documented project at the end of the semester.
MUS 403: Music Technology I 3 Units
A study of the physical a properties of musical instruments and an introduction to the care
and maintenance of commonly used musical instruments including the tuning of the
pianofortes.
MUS 404: Music Technology II 3 Units
The art and science of constructing and building musical instruments. Concepts and design,
tools, materials, storage and maintenance. Actual design and building of original instruments
under the supervision of the instructor presentation of an original a project at the end of
semester.
MUS 405: Music Management and Production I (Technical) 3 Units
A course in the physical, artistic and aesthetics of organising and managing various aspects of
music production for the stage, studio, radio, television and the multimedia.
MUS 406: Music Management and Production II (Administrative) 3 Units
A course in the administrative and financial aspects of music production, including personnel
management, advertisement, financing and marketing for the stage, studio, radio, television
and multi-media.
MUS 407: Music Production Project I 3 Units
Final project for the student specialising I n music production.
MUS 408: Music Production Project II 3 Units
Final project for the student specialising in music production. Continuation of MUS 407
leading to presentation of a full length production for the stage radio or television.
MUS 421: 20th Century Compositional Techniques 3 Units
A survey of the various processes of musical composition in the present era, using atonality,
serialism, 12-tone, chance, electronic and computer techniques, among others. Examination
of some works of major composers of this century such as Bartok, Stravinsky, Schonberg,
Berg, Webern, Cage, etc.
27
MUS 425: Orchestration II 3 Units
A course in scoring and arranging for various orchestral and instrumental ensembles, small,
medium and large. Exercises to include both Western orchestral and African instruments.
MUS 428: Analysis and Analytic Method for 20th Century Music 3 Units
An examination of some contemporary tools of analysis for post tonal music, including the
set-complex theory, and the application of computers techniques for the analysis of music in
general.
MUS 429: Composition I 3 Units
Studies in the techniques and the art of musical composition, musical creativity and
composition for voices and instruments.
MUS 430: Composition II 3 Units
Continuation of Music 429 leading to the presentation of an original creation.
MUS 431: Special Topic in the History of Western Music 3 Units
Topic will include Bach, Haydn and Mozart, Beethoven, Chamber Music. The Symphony,
The Concertos, Opera, English Church Music, The Development of the Pianoforte, 20th
Century Composers, etc.
MUS 432: Historical Musicology 3 Units
A study of the development, systems, and techniques of making and documenting the history
of music. Historiography.
MUS 433: Composition Project I 3 Units
An original, full-length composition research project for Voice, Instrument
(Orchestral/Keyboard) or combination of voices and Instruments notated and Audio-recorded
for presentation.
MUS 434: Composition Project II 3 Units
Continuation of MUS 433 leading to completion and presentation of project.
MUS 435: Church Music Repertoire 2 Units
A study of Church Music, repertoire from the time of Gregorian Chant (C.600 A.D.) to the
present Church Music repertoire in the various African Church denominations.
MUS 436: Choir Training and Organization 2 Units
A course in the organization and training of Church Choirs Techniques of recruitment,
training and re-training. Elementary phonetics, vocal techniques and rudimentary singing
skill. Problems of repertory choir library and finance. Choir administration and management.
MUS 437: Church Music Project I 3 Units
Organising, training, presenting and conducting a choir in a concert of about 30 minutes
duration.
MUS 438: Church Music Project II
Continuation of MUS 437 leading to completion and presentation of
28
MUS 441: History of Nigerian Music (Antiquity to date) 3 Units
A study of the origin, growth and development of the various forms of music and musical
genres in Nigeria from Pre-colonial ethnic antiquity through the colonial period to Post-
independence Nigeria. Study to include life and works of contemporary art and popular
musicians.
MUS 442: Afro-American Music 3 Units
A survey of the music of the people of African descent in the Caribbean and the continental
United States of America. Historical and Sociological factors that led to the fusion of
European and African musical forms, and the birth of such styles as Blues, Jazz, Rock and
Soul Music.
MUS 443: Projects in African Music 3 Units
Under supervision, the student will carry out individual research (library and field) on an
approved topic and present the material in an essay of approximately 20,000 words
(excluding footnotes, bibliography, and appendixes) at the end of session.
MUS 444: Projects in African Music II 3 Units
Continuation of MUS 443 leading to completion and presentation of project.
MUS 445: Jazz and Highlife Music Improvisation I 1 Unit
Jazz and highlife music improvisation on the keyboard and/or orchestra. Nomenclature,
foundation exercises, improvising of melodies and rhythms in both jazz and highlife musical
styles.
MUS 446: Jazz and Highlife Music Improvisation II 1 Unit
Continuation of MUS 445. Emphasis on the use of multiple chords, parallel harmony,
extemporisation and ensemble concept.
MUS 447: Popular Music Repertoire I 2 Units
A survey study of the repertory of popular or mass culture music in Western culture including
its origin, forms, styles, etc.
MUS 448: Popular Music Repertoire I 2 Units
A survey study of the repertory of popular or mass culture music in African and Caribbean
cultures.
MUS 449: Popular Music Project I 3 Units
A project in popular music which consists of organising, planning, leading and presenting a
popular music hand concert or at least 30 minutes duration.
MUS 450: Popular Music Project II 3 Units
Continuation of MUS 449 leading to presentation of project
MUS 451: Keyboard Harmony and Accompaniment I 1 Unit
Harmonisation of melodies and free style accompaniment. Accompanying vocal and
instrumental groups and solos. Hymns playing and improvisation on the keyboard. Open
score reading.
29
MUS 452: Keyboard Harmony and Accompaniment II 1 Unit
Continuation of MUS 451. Extemporisation and Score Reading. Emphasis on versatility and
style.
MUS 453: Ensemble Performance Vocal/Instrumental I 1 Unit
Vocal and/or instrumental ensemble performance studies for the student specializing in
performance media.
MUS 454: Ensemble Performance Vocal Instrumental II 1 Unit
Continuation of MUS 453. Emphasis on dexterity and virtuosity.
MUS 455: Performance Project I 3 Units
A project class for the student specializing in a specific media, voice, clarinet trumpet etc.
Under guidance, the student will prepare for and give a concert recital of at least 30 minutes
duration on his/her performing media. The recited music must include both solo and
ensemble.
MUS 456: Performance Project II 3 Units
Continuation of MUS 455 leading to presentation of recital.
MUS 461: Applied Music Coaching I 1 Unit
Coaching in repertory and recital material for students in their last year of primary instrument
or voice.
MUS 462: Applied Music Coaching II 1 Unit
(MUS 461 continued more repertoires added.
MUS 463: Secondary Instrument or Voice I 1 Unit
Individual lessons on secondary instrument with 8 hours of private practice per week.
MUS 464: Secondary Instrument or Voice II 1 Unit
(MUS 463 continued) more repertoires added.
MUS 465: Choral and Instrumental Conducting I 1 Unit
Advanced choral and instrumental conducting. Choral and instrumental repertory for the
choir and band director. Arranging for various combinations of voices and/or instruments for
the choir and the band.
MUS 466: Choral and Instrumental Conducting II 1 Unit
MUS 465 continued. Score reading analysis and interpretation. Rehearsal through
observation and laboratory experience.
MUS 471: University Chorus I 1 Unit
A performance study of selected choral music involving the works of Western and African
composers such as Bach, Handel, Schubert, T.K.E., Phillips, Ayo Bankole, Laz Ekwueme,
etc.
MUS 472: University Chorus II 1 Unit
(MUS 471 continued) leading to concert production.
30
MUS 473: University Band/Orchestra I 1 Unit
A performance study of selected band music repertoire in the classical and popular styles of
both European and African music.
MUS 474: University Band/Orchestra II 1 Unit
(MUS 473 continued) leading to concert production.
MUS 475: African Instrumental Ensemble I 1 Unit
A performance study of selected African Music and Dance ensemble repertoire of both ethnic
and Urban Communities.
MUS 476: African Instrumental Ensemble II 1 Unit
Continuation of MUS 475 leading to concert production.
MUS 477: Madrigal/Chamber Chorus I 1 Unit
A selected group of 16 to 24 singers capable of performing works of moderate difficulty of
all periods. Importance will be attached to good voice and good sight-singing.
MUS 478: Madrigal/Chamber Chorus II 1 Unit
(MUS 477 continued), leading to concert production.
MUS 479: University Glee Club I 1 Unit
A performance study of choral music repertoire for mixed male voices.
MUS 480: University Glee Club II 1 Unit
(MUS 479 continued) leading to concert production.
MUS 481: School Music Methods 3 Units
A survey of the methods of teaching music in the primary, Secondary and Teacher Training
Institutions, with particular reference to Nigeria.
MUS 484: Teaching and Supervision of Instrumental Music 3 Units
Study of basic orchestra and band instruments (and of one in particular) with a view to
equipping the students with the principles and practice or teaching and supervising
instrumental music at all levels.
MUS 486: African Music in Schools 3 Units
A seminar class, discussion and discovering solutions to the problems of adopting African
Music for Schools. Composition and research procedures.
MUS 490: Music Criticism and Musical Scholarship 3 Units
A look at the theories of Western Music aesthetics and its relevance and application to Africa.
The evaluation of musical works and performances, including a thorough examination of the
factors involved, the aesthetic, values they represent, and the communication of this
evaluation in good literary style. Writing format, bibliography and style. The scholarly music
journal.
31
PROGRAMME/SUB-DISCIPLINE/DISCIPLINE WORKLOAD BY STUDENTS
B.A MUSIC (SINGLE HONOURS)
PART I HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 101
Music as an Art and Science
-
3-0-0
3
MUS 111
Rudiments of Music
-
3-0-0
3
MUS 121
Introduction to Dictation and Sight
Singing
-
2-0-0
2
MUS 141
African Music
-
2
MUS 151
Basic Piano Studies IA
0-0-4
1
MUS 161*
Elementary Instrument IA (Voice)
0-1-1
1
MUS 161*
Elementary Instrument (Guitar and
Bass)
0-1-1
1
MUS 161*
Elementary Instrument (Piano)
0-1-1
1
MUS 161*
Elementary Instrument (Drum)
0-1-1
1
* Any one (1) of these must be taken
Restricted Electives within the Department: Any two of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 171
University Chorus
0-0-4
1
MUS 173
University Band
0-0-4
1
MUS 175
African Instrumental Ensemble
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: African Languages,
English, Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing
Education, Management and Accounting, Physics, Electrical and Electronics Engineering or
Mechanical Engineering. 2-1-0 3
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
PART I RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 112
Rudiments of Music II
-
3-0-0
3
MUS 122
Foundation of Musicianship II
-
2-2-0
2
MUS 124
Tonal Harmony I
-
2-2-0
3
MUS 132
Survey of History of Western
Music
-
3-0-0
3
MUS 142
African Music II
2-0-0
2
MUS 152
Basic Piano I
0-0-4
1
32
MUS 162*
Elementary Instrument (Voice)
0-0-4
1
MUS 162*
Elementary Instrument (Guitar
and Bass)
0-0-4
1
MUS 162*
Elementary Instrument (Piano)
0-0-4
1
MUS 162*
Elementary Instrument (Drum)
0-0-4
1
* Any one (1) of these must be taken
Restricted Electives within the Department : Any two of the following must be taken:
COURSE
CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 172
University Chorus IB
0-0-4
1
MUS 174
University Band IB
0-0-4
1
MUS 176
African Music and Dance Ensembles IB
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: African Languages,
English, Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing
Education, Management and Accounting, Physics, Electrical and Electronics Engineering or
Mechanical Engineering. 2-1-0 3
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
PART II HARMATTAN SEMESTER
COMPULSORY COURSES
COURSES
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 221
Foundation of Music IIA
-
1-1-0
3
MUS 223
Tonal Harmony IIA
-
1-1-0
3
MUS 225
Modal Counterpoint I
-
2
MUS 241
African Music Theory I
-
1-1-0
2
MUS 243
Music of World Culture I
-
2-0-0
2
MUS 251
Basic Piano Studies IIA
-
0-0-4
1
MUS 261*
Pry. Instrument IIA (Voice)
0-0-4
1
MUS 261*
Pry. Instrument (Guitar and Bass)
0-0-4
1
MUS 261*
Pry. Instrument (Wind Instruments)
0-0-4
1
MUS 261*
Pry. Instrument (Piano)
0-0-4
1
MUS 263**
Secondary Instrument IIA (Voice)
0-0-4
1
MUS 263**
Secondary Instrument (Guitar and Bass)
0-0-4
1
MUS 263**
Secondary Instrument (Wind Instrument)
0-0-4
1
MUS 263**
Secondary Instrument (Strings)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Restricted Electives within the Department: Any two of the following must be taken.
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 271
University Chorus IIA
0-0-4
1
33
MUS 273
University Band IIA
0-0-4
1
MUS 275
African Instrumental and Dance Ensemble
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: African Languages,
English, Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing
Education, Management and Accounting, Physics, Electrical and Electronics Engineering or
Mechanical Engineering. 2-1-0 3
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
PART II RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 222
Foundation of Musicianship II
1-1-0
2
MUS 224
Tonal Harmony IIB
1-1-0
2
MUS 232
History of Western Music I
3-0-0
3
MUS 242
African Music Theory III
1-0-0
2
MUS 244
Music of World Cultures II
2-0-0
2
MUS 252
Basic Piano IIB
0-0-4
1
MUS 262*
Pry. Instrument IIB(Voice)
0-0-4
1
MUS 262*
Pry. Instrument (Guitar and Bass)
0-0-4
1
MUS 262*
Pry. Instrument (Wind Instruments)
0-0-4
1
MUS 262*
Pry. Instrument (Piano)
0-0-4
1
MUS 264**
Secondary Instrument IIB (Voice)
0-0-4
1
MUS 264**
Secondary Instrument (Guitar and Bass)
0-0-4
1
MUS 264**
Secondary Instrument (Wind Instrument)
0-0-4
1
MUS 264**
Secondary Instrument (Strings)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Restricted Electives within the Department: Any two of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 272
University Chorus IIB
0-0-4
1
MUS 274
University Band IIB
0-0-4
1
MUS 276
African Instr. & Dance Ensembles IIB
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: African Languages,
English, Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing
Education, Management and Accounting, Physics, Electrical and Electronics Engineering or
Mechanical Engineering. 2-1-0 3
34
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
African Languages, Dramatic Arts, Religious Studies, Sociology, Philosophy, History,
Continuing Education, Management and Accounting, Physics, Electrical and Electronics
Engineering or Mechanical Engineering.
PART III HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 275
African Instrumental and Dance Ensemble
0-0-4
1
MUS 321
Tonal Harmony III
1-1-0
2
MUS 323
Tonal Counterpoint I
1-1-0
2
MUS 325
Modal Counterpoint
2
MUS 327
Analysis of Western Music Forms
2-1-0
3
MUS 351
Elementary Keyboard Harmony
0-1-1
1
MUS 361*
Pry. Instrument IIIA (Voice)
0-1-1
1
MUS 361*
Pry. Instrument IIIB (Guitar and Bass)
0-1-1
1
MUS 361*
Pry. Instrument IIIB (Piano)
0-1-1
1
MUS 363**
Secondary Instrument IIIA (Voice)
0-1-1
1
MUS 363**
Secondary Instrument IIIB (Guitar & Bass)
0-1-1
1
MUS 363**
Secondary Instrument IIIB (Wind Instr.)
0-1-1
1
MUS 363**
Secondary Instrument IIIB (Strings)
0-1-1
1
MUS 363**
Secondary Instrument IIIB (Piano)
0-1-1
1
MUS 363**
Secondary Instrument IIIB (Brass Instr.)
0-1-1
1
MUS 363**
Secondary Instrument IIIB (Drums)
0-1-1
1
MUS 365
Choral Conducting I
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Restricted Electives within the Department: Any two of the following must be taken
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 371
University Chorus IIIA
0-0-4
1
MUS 373
University Band/Orchestra IIIA
0-0-4
1
MUS 375
African Instrumental and Dance
Ensemble
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: African Languages,
English, Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing
Education, Management and Accounting, Physics, Electrical and Electronics Engineering or
Mechanical Engineering.
2-1-0 3
35
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
PART III RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 324
Tonal Counterpoint II
1-1-0
3
MUS 326
Orchestration I
2-1-0
3
MUS 332
History of Literature of Western Music
from 1750 to the present
3-0-0
3
MUS 342
Analysis of African Music Form
2-2-0
1
MUS 352
Elementary Keyboard Harmony II
0-1-1
1
MUS 362*
Pry. Instrument IIB (Voice)
0-0-4
1
MUS 362*
Pry. Instrument IIIB (Guitar and Bass)
0-0-4
1
MUS 362*
Pry. Instrument IIIB (Wind Instrument)
0-0-4
1
MUS 362*
Pry. Instrument IIIB (Piano)
0-0-4
1
MUS 362*
Pry. Instrument IIIB (Brass Instrument)
0-0-4
1
MUS 362*
Pry. Instrument IIIB (Drum)
0-0-4
1
MUS 364**
Secondary Instrument IIB (Voice)
0-0-4
1
MUS 364**
Secondary Instrument IIIB (Guitar &
Bass)
0-0-4
1
MUS 364**
Secondary Instrument IIIB (Wind Instr.)
0-0-4
1
MUS 364**
Secondary Instrument IIIB (Strings)
0-0-4
1
MUS 364**
Secondary Instrument IIIB (Piano)
0-0-4
1
MUS 364**
Secondary Instrument IIIB (Brass Instr.)
0-0-4
1
MUS 364**
Secondary Instrument IIIB (Drums)
0-0-4
1
MUS 366
Choral Conducting II
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Restricted Electives within the Department: Any 2 from the following must be taken
COURSE
CODE
COURSE TITLE
PRE-
REQUISITES
L.T.P.
NO. OF
UNITS
MUS 372
University Chorus IIIB
0-0-4
1
MUS 374
University Band IIIB
0-0-4
1
MUS 376
African Instr. & Dance Ensembles IIIB
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: African Languages,
English, Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing
Education, Management and Accounting, Physics, Electrical and Electronics Engineering or
Mechanical Engineering. 2-1-0 3
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
36
PART IV
(Theory and Composition Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461*
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461*
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461*
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461*
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461*
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 421
20th Century Compositional Techniques
3-0-0
3
MUS 425
Orchestration II
3-0-0
3
MUS 433
Composition Project I
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 442
African American Music
3-0-0
3
37
MUS 462*
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462*
Applied Music Coaching II (Guitar &
Bass)
0-0-2
1
MUS 462*
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462*
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Drum)
0-0-2
1
MUS
464**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS
464**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS
464**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS
464**
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 430
Composition II
3-0-0
3
MUS 434
Composition Project II
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
(Musicology Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461*
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461*
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461*
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461*
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461*
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Voice)
0-0-4
1
38
MUS 463**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 431
Special Topics in the History of Western
Music
3-0-0
3
MUS 443
A Project in African Music I
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 442
African American Music
3-0-0
3
MUS 462
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462
Applied Music Coaching II (Guitar & Bass)
0-0-2
1
MUS 462
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462
Applied Music Coaching II (Drum)
0-0-2
1
MUS 464
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 464
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 464
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 464
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 432
Historical Musicology
3-0-0
3
MUS 434
A Project in African Music II
3-0-0
3
39
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
(Performance Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 463
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 463
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 451
Keyboard Harmony and Accompaniment
I
0-0-4
1
MUS 453
Ensemble Performance I
0-0-4
1
MUS 433
Performance Project I
3-0-0
3
MUS 465
Advanced Choral and Instrumental
Conducting I
0-0-4
1
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
40
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 442
African American Music
3-0-0
3
MUS 462*
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462*
Applied Music Coaching II (Guitar &
Bass)
0-0-2
1
MUS 462*
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462*
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Drum)
0-0-2
1
MUS 464**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 452
Keyboard Harmony and Accompaniment
II
0-0-4
1
MUS 454
Ensemble Performance Project II
0-0-4
1
MUS 456
Performance Project II
0-0-3
3
MUS 466
Advanced Choral and Instrumental
Conducting II
0-0-4
1
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
(Music Education Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
41
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461*
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461*
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461*
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461*
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461*
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 443
A Project in African Music I
3-0-0
3
MUS 481
School Music Methods
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 442
African American Music
3-0-0
3
MUS 462*
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462*
Applied Music Coaching II (Guitar &
Bass)
0-0-2
1
MUS 462*
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462*
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Drum)
0-0-2
1
MUS 464**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Piano)
0-0-4
1
42
MUS 464**
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 444
A Project in African Music II
3-0-0
3
MUS 484
Teaching and Supervision of Instrumental
Music
3-0-0
3
MUS 486
African Music in Schools
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
(Church Music Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461*
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461*
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461*
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461*
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461*
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 435
Church Music Repertoire
0-0-2
2
MUS 437
Church Music Project I
3-0-0
3
MUS 451
Keyboard Harmony and Accompaniment I
0-0-4
1
MUS 465
Advanced Choral and Instrumental
Conducting I
0-0-4
1
43
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 442
African American Music
3-0-0
3
MUS 462*
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462*
Applied Music Coaching II (Guitar &
Bass)
0-0-2
1
MUS 462*
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462*
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Drum)
0-0-2
1
MUS 464**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 436
Choir Training and Organisation
0-0-2
2
MUS 438
Church Music Project II
3-0-0
3
MUS 452
Keyboard Harmony and Accompaniment II
0-0-4
1
MUS 466
Advanced Choral Training and Organisation
0-0-2
2
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
44
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
(Popular Music Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461*
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461*
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461*
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461*
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461*
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 445
Jazz and Highlife Music Improvisation I
0-0-4
1
MUS 447
Popular Music Repertoire I
2-0-0
2
MUS 449
Popular Music Project I
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
45
MUS 442
African American Music
3-0-0
3
MUS 462*
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462*
Applied Music Coaching II (Guitar &
Bass)
0-0-2
1
MUS 462*
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462*
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Drum)
0-0-2
1
MUS 464**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 446
Jazz and Highlife Music Improvisation II
0-0-4
3
MUS 448
Popular Music Repertoire II
2-0-0
2
MUS 450
Popular Music Project II
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
(Music Production and Management Option)
Harmattan Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 441
History of Nigerian Music
3-0-0
3
MUS 461*
Applied Music Coaching I (Voice)
0-0-4
1
MUS 461*
Applied Music Coaching I (Guitar & Bass)
0-0-4
1
MUS 461*
Applied Music Coaching I (Piano)
0-0-4
1
MUS 461*
Applied Music Coaching I (Brass Instr.)
0-0-4
1
MUS 461*
Applied Music Coaching I (Drum)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
46
MUS 463**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 463**
Secondary Instrument IVB (Drums)
0-0-4
1
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 405
Music Management and Production I
3-0-0
3
MUS 407
Music Production Project I
3-0-0
3
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 471
University Chorus IVA
0-0-4
1
MUS 473
University Band
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
Rain Semester
Compulsory Courses
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.OF
UNITS
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 442
African American Music
3-0-0
3
MUS 462*
Applied Music Coaching II (Voice)
0-0-2
1
MUS 462*
Applied Music Coaching II (Guitar &
Bass)
0-0-2
1
MUS 462*
Applied Music Coaching II (Wind Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Piano)
0-0-2
1
MUS 462*
Applied Music Coaching II (Brass Instr.)
0-0-2
1
MUS 462*
Applied Music Coaching II (Drum)
0-0-2
1
MUS 464**
Secondary Instrument IVB (Voice)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Wind Instr.)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Piano)
0-0-4
1
MUS 464**
Secondary Instrument IVB (Drums)
0-0-4
1
MUS 490
Music Criticism and Scholarship
3-0-0
3
* Only one (1) of these must be taken
** Only one (1) of these must be taken
Specialization Courses
MUS 406
Music Management and Production II
3-0-0
3
MUS 408
Music Production Project II
3-0-0
3
47
Restricted Electives within the Department
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 472
University Chorus IVB
0-0-4
1
MUS 474
University Band IVB
0-0-4
1
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
PERMISSION TO REGISTER FOR LESS THAN 15 UNITS
A student will normally be expected to take at least 15 units of course load for each week in
any semester. This will include all core, elective and project courses. The University will
expect any student who, for whatever reason, may wish to take less to as for permission in
writing. A student may at the extreme as for a leave of absence, which is to say the student is
asking to be excused from taking any course. The letter requesting for permission should be
submitted not later than two (2) weeks after the close of registration. Of course, a student
resuming from leave of absence of suspension will also be expected to inform the University
as he/she is about to return into the system.
48
B.A. MUSIC/YORUBA (COMBINED HONOURS)
PART I HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 101
Music as an Art and Science
-
3-0-0
3
MUS 111
Rudiments of Music
-
3-0-0
3
MUS 121
Introduction to Dictation and Sight Singing
-
2-0-0
2
MUS 151
Basic Piano Studies I
0-0-4
1
MUS 161
Elementary Instrument I
0-1-1
1
YOR 101
Introduction to Yoruba People and
Language
2-1-0
3
YOR 103
Advanced Composition
2-1-0
3
Restricted Electives within the Department: Any one of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 171
University Chorus
0-0-4
1
MUS 173
University Band
0-0-4
1
Free Electives outside the Department
A three unit course selected from any of the following Departments: English, Dramatic Arts,
Religious Studies, Sociology, Philosophy, History, Continuing Education, Management and
Accounting, Physics, Electrical and Electronics Engineering or Mechanical Engineering.
2-1-0 3
Special Electives: One special elective from outside the Faculty of Arts 2-0-0 2
PART I RAIN SEMESTER
COMPULSORY COURSES
COURS
E CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 112
Rudiments of Music II
-
3-0-0
3
MUS 122
Foundation of Musicianship II
-
2-2-0
2
MUS 124
Tonal Harmony I
-
2-2-0
3
MUS 132
Survey of History of Western Music
-
3-0-0
3
YOR 102
Introduction to the History of Yoruba
People II
2-1-0
3
YOR 104
Advanced Comprehension
2-1-0
3
Restricted Electives within the Department: Any one of the following must be taken:
COURSE CODE
COURSES TITLE
PRE-REQUISITE
L.T.P.
NO. OF UNITS
MUS 172
University Chorus IB
0-0-4
1
MUS 174
University Band IB
0-0-4
1
49
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: 2 Units of special electives outside the Faculty of Arts 2-0-0 2
PART II HARMATTAN SEMESTER
COMPULSORY COURSES
COURSES
CODE
COURSE TITLE
PRE-REQUISITE
L.T.P.
NO. OF
UNITS
MUS 221
Foundation of Music IIA
-
1-1-0
3
MUS 223
Tonal Harmony IIA
-
1-1-0
3
MUS 243
Music of World Culture I
-
2-0-0
2
MUS 251
Basic Piano Studies I
-
0-0-4
1
MUS 261
Pry. Instrument I
0-0-4
1
CSC 333
Computer Appreciation
3-0-0
2
YOR 201
Survey of Literature in
Yoruba
2-1-0
3
YOR 203
Introduction to Yoruba
Oral Literature
2-1-0
3
Restricted Electives within the Department: Any one of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 271
University Chorus IIA
0-0-4
1
MUS 273
University Band IIA
0-0-4
1
Free Electives outside the Department:
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives:
One special elective from outside the Faculty of Arts 2-0-0 2
PART II RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 222
Foundation of Musicianship II
1-1-0
2
MUS 224
Tonal Harmony IIB
1-1-0
2
MUS 232
History of Western Music I
3-0-0
3
MUS 252
Basic Piano Studies
0-0-4
1
50
MUS 262
Pry. Instrument IIB (Voice)
0-0-4
1
YOR 202
Use of Yoruba
2-1-0
3
YOR 204
Varieties of Prose in Yoruba
2-1-0
3
Restricted Electives within the Department : Any one of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 272
University Chorus IIB
0-0-4
1
MUS 274
University Band IIB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives:
One special elective from outside the Faculty of Arts 2-0-0 2
PART III HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 321
Tonal Harmony III
1-1-0
2
MUS 323
Tonal Counterpoint I
1-1-0
2
MUS 327
Analysis of Western Music Forms
2-1-0
3
MUS 361
Pry. Instrument IIIA (Voice)
0-1-1
1
YOR 303
Varieties of Poetries in Yoruba Language
2-1-0
3
YOR 305
Grammar of the Yoruba Language from the
Earliest to the Present
2-1-0
3
Restricted Electives within the Department : Any one of the following must be taken
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 371
University Chorus IIIA
0-0-4
1
MUS 373
University Band/Orchestra IIIA
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
51
PART III RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 324
Tonal Counterpoint II
1-1-0
3
MUS 326
Orchestration I
2-1-0
3
MUS 342
Analysis of African Music Form
2-2-0
1
MUS 362
Pry. Instrument IIB
0-0-4
1
YOR 302
Introduction to Drama in Yoruba
Language
2-1-0
3
YOR 304
Naming in Yoruba
2-1-0
3
Restricted Electives within the Department: Any one of the following:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITES
L.T.P.
NO. OF
UNITS
MUS 372
University Chorus IIIB
0-0-4
1
MUS 374
University Band IIIB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, Religious Studies, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART IV HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 443
Project in African Music I
0-1-6
3
YOR 401
Issues in Yoruba Syntax
2-1-0
3
YOR 403
Yoruba Social Institution and Natural
Culture
2-1-0
3
YOR 409
Ifa and its Literary Corpus
2-1-0
3
Restricted Elective within the Department:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 473
University Band
0-0-4
1
Special Electives: Any one from outside the Faculty of Arts: 2-1-0 2
52
PART IV RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 444
Projects in African Music
3-0-0
3
MUS 490
Music Criticism and Scholarship
3-0-0
3
YOR 402
Topics in the Structure of Yoruba
2-1-0
3
YOR 408
Contemporary Yoruba Fiction
2-1-0
3
Restricted Elective within the Department:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 474
University Band IVB
0-0-4
1
Special Electives: One from outside the Faculty of Arts 0-0-2 2
53
MUSIC AND RELIGIOUS STUDIES (COMBINED HONOURS)
PART I HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 101
Music as an Art and Science
-
3-0-0
3
MUS 111
Rudiments of Music
-
3-0-0
3
MUS 121
Introduction to Dictation and Sight
Singing
-
2-0-0
2
MUS 151
Basic Piano Studies I
0-0-4
1
MUS 161
Elementary Instrument I
0-1-1
1
REL 101
Introduction to Social
Anthropology of Religion
2-1-0
3
REL 103
Background to Christianity
2-1-0
3
Restricted Electives within the Department: Any one of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 171
University Chorus
0-0-4
1
MUS 173
University Band
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART I RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 112
Rudiments of Music II
-
3-0-0
3
MUS 122
Foundation of Musicianship II
-
2-2-0
2
MUS 124
Tonal Harmony I
-
2-2-0
3
MUS 132
Survey of History of Western Music
-
3-0-0
3
REL 102
Introduction to African Traditional
Religion
2-1-0
3
REL 104
Source of Islam
2-1-0
3
54
Restricted Electives within the Department: Any one of the following must be taken:
COURSE
CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 172
University Chorus IB
0-0-4
1
MUS 174
University Band IB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART II HARMATTAN SEMESTER
COMPULSORY COURSES
COURSES
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 221
Foundation of Music IIA
-
1-1-0
3
MUS 223
Tonal Harmony IIA
-
1-1-0
3
MUS 243
Music of World Culture I
-
2-0-0
2
MUS 251
Basic Piano Studies I
-
0-0-4
1
MUS 261
Pry. Instrument I
0-0-4
1
CSC 333
Computer Appreciation
3-0-0
2
REL 201
The Synoptic Gospel
2-1-0
3
REL 203
The Definition of Religion: A Variety
2-1-0
3
Restricted Electives within the Department: One of the following:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 271
University Chorus IIA
0-0-4
1
MUS 273
University Band IIA
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
55
PART II RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 222
Foundation of Musicianship II
1-1-0
2
MUS 224
Tonal Harmony IIB
1-1-0
2
MUS 232
History of Western Music I
3-0-0
3
MUS 252
Basic Piano Studies
0-0-4
1
MUS 262
Pry. Instrument IIB (Voice)
0-0-4
1
REL 202
Religion and Human Values II
2-1-0
3
REL 204
The Qur’an
2-1-0
3
Restricted Electives within the Department : Any one of the following:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 272
University Chorus IIB
0-0-4
1
MUS 274
University Band IIB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART III HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 321
Tonal Harmony III
1-1-0
2
MUS 323
Tonal Counterpoint I
1-1-0
2
MUS 327
Analysis of Western Music Forms
2-1-0
3
MUS 361
Pry. Instrument IIIA (Voice)
0-1-1
1
REL 301
Philosophy of Religion I
2-1-0
3
REL 303
History of the Reformation
2-1-0
3
Restricted Electives within the Department: Any one of the following
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 371
University Chorus IIIA
0-0-4
1
MUS 373
University Band/Orchestra IIIA
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
56
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART III RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-REQUISITE
L.T.P.
NO. OF
UNITS
MUS 324
Tonal Counterpoint II
1-1-0
3
MUS 326
Orchestration I
2-1-0
3
MUS 342
Analysis of African Music Form
2-2-0
1
MUS 362
Pry. Instrument IIB
0-0-4
1
REL 302
Philosophy of Religion II
2-1-0
3
REL 306
Traditional Religion in West Africa
2-1-0
3
Restricted Electives within the Department:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITES
L.T.P.
NO.
OF
UNITS
MUS 372
University Chorus IIIB
0-0-4
1
MUS 374
University Band IIIB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART IV HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 443
Project in African Music I
0-1-6
3
REL 401
The Unity of the Old and New Testament
2-1-0
3
REL 403
Islam in West Africa
2-1-0
3
57
Restricted Electives within the Department:
COURSE
CODE
COURSE TITLE
PRE-REQUISITE
L.T.P.
NO. OF
UNIT
MUS 473
University Band
0-0-4
1
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART IV RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 444
Projects in African Music
3-0-0
3
MUS 490
Music Criticism and Scholarship
3-0-0
3
REL 402
The Acts of the Apostles
2-1-0
3
REL 404
Contemporary Islam Groups in Nigeria
2-1-0
3
REL 406
Comparative Study of Religion
2-1-0
3
Restricted Electives within the Department:
COURSE
CODE
COURSE TITLE
PRE-REQUISITE
L.T.P.
NO. OF
UNITS
MUS 474
University Band IVB
0-0-4
1
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
58
MUSIC AND FINE ARTS (COMBINED HONOURS)
PART I HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 101
Music as an Art and Science
-
3-0-0
3
MUS 111
Rudiments of Music
-
3-0-0
3
MUS 121
Introduction to Dictation and Sight Singing
-
2-0-0
2
MUS 151
Basic Piano Studies I
0-0-4
1
MUS 161
Elementary Instrument I
0-1-1
1
FAA 101
Introduction to Fine and Applied Arts
1-1-0
2
FAA 103
Introduction to General Drawing
1-0-6
3
FAA 105
Media and Methods in Two Dimension I
1-1-0
2
Restricted Electives within the Department: Any one of the following must be taken:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 171
University Chorus
0-0-4
1
MUS 173
University Band
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Religious Studies,
Continuing Education, Management and Accounting, Physics, Electrical and Electronics
Engineering or Mechanical Engineering 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART I RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 112
Rudiments of Music II
-
3-0-0
3
MUS 122
Foundation of Musicianship II
-
2-2-0
2
MUS 124
Tonal Harmony I
-
2-2-0
3
MUS 132
Survey of History of Western Music
-
3-0-0
3
FAA 102
Art Appreciation
1-1-0
2
FAA 104
Introduction to Life Drawing
1-0-6
3
FAA 106
Media and Methods in Two Dimension II
1-0-6
3
Restricted Electives within the Department: Any one of the following must be taken:
COURSE
CODE
COURSES TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 172
University Chorus IB
0-0-4
1
MUS 174
University Band IB
0-0-4
1
MUS 176
African Music and Dance Ensembles IB
0-0-4
1
59
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Religious Studies,
Continuing Education, Management and Accounting, Physics, Electrical and Electronics
Engineering or Mechanical Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART II HARMATTAN SEMESTER
COMPULSORY COURSES
COURSES
CODE
COURSE TITLE
PRE-REQUISITE
L.T.P.
NO. OF
UNITS
MUS 221
Foundation of Music IIA
-
1-1-0
3
MUS 223
Tonal Harmony IIA
-
1-1-0
3
MUS 243
Music of World Culture I
-
2-0-0
2
MUS 251
Basic Piano Studies I
-
0-0-4
1
MUS 261
Pry. Instrument I
0-0-4
1
CSC 333
Computer Appreciation
3-0-0
2
FAA 201
Introduction to Art History
1-1-0
2
FAA 203
Life Drawing I
1-0-6
3
FAA 207
Introduction to Painting
1-0-6
3
Restricted Electives within the Department: Any one of the following:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 271
University Chorus IIA
0-0-4
1
MUS 273
University Band IIA
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Religious Studies,
Continuing Education, Management and Accounting, Physics, Electrical and Electronics
Engineering or Mechanical Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART II RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 222
Foundation of Musicianship II
1-1-0
2
MUS 224
Tonal Harmony IIB
1-1-0
2
MUS 232
History of Western Music I
3-0-0
3
MUS 252
Basic Piano Studies
0-0-4
1
MUS 262
Pry. Instrument IIB (Voice)
0-0-4
1
60
FAA 202
Indiginous Nigerian Craft Practices
1-1-0
2
FAA 204
General Drawing I
1-0-6
2
FAA 208
Introduction to Graphic Design
1-0-6
3
Restricted Electives within the Department :
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 272
University Chorus IIB
0-0-4
1
MUS 274
University Band IIB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Religious Studies,
Continuing Education, Management and Accounting, Physics, Electrical and Electronics
Engineering or Mechanical Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART III HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 321
Tonal Harmony III
1-1-0
2
MUS 323
Tonal Counterpoint I
1-1-0
2
MUS 327
Analysis of Western Music Forms
2-1-0
3
MUS 361
Pry. Instrument IIIA (Voice)
0-1-1
1
FAA 301
Life Drawing II
0-1-3
2
FAA 345
History of Nigerian Artistic Heritage
1-1-0
2
FAA 347
Creative Exploration of Indigenous Forms/ Materials
1-0-3
2
FAA 349
Computer Application to Visual Art
1-0-3
2
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART III RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNITS
MUS 324
Tonal Counterpoint II
1-1-0
3
61
MUS 326
Orchestration I
2-1-0
3
MUS 342
Analysis of African Music Form
2-2-0
1
MUS 362
Pry. Instrument IIB
0-0-4
1
FAA 302
General Drawing II
1-1-3
2
FAA 346
Art and Society in Africa
1-1-0
2
FAA 348
Art Studio Management and
Administration
1-1-0
2
Restricted Electives within the Department: Any one of the following
COURSE
CODE
COURSE TITLE
PRE-
REQUISITES
L.T.P.
NO.
OF
UNITS
MUS 372
University Chorus IIIB
0-0-4
1
MUS 374
University Band IIIB
0-0-4
1
Free Electives outside the Department
A three unit course per semester selected from any of the following Departments: English,
Dramatic Arts, African Languages, Sociology, Philosophy, History, Continuing Education,
Management and Accounting, Physics, Electrical and Electronics Engineering or Mechanical
Engineering. 2-1-0 3
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART IV HARMATTAN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
MUS 401
Acoustics and Psychoacoustics of Music
3-0-0
3
MUS 429
Composition I
3-0-0
3
MUS 443
Project in African Music I
0-1-6
3
FAA 401
Advanced Draughtsmanship I
1-1-0
2
FAA 451
Contemporary Nigerian Art
1-1-0
2
FAA 453
Entrepreneurship in Visual Arts
1-1-0
2
Restricted Electives within the Department: Any one of the following:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNIT
MUS 473
University Band
0-0-4
1
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
PART IV RAIN SEMESTER
COMPULSORY COURSES
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO.
OF
UNIT
62
MUS 402
Music and The Technical Media
2-0-2
3
MUS 428
Analysis and Analytical Method for 20
th
Century Music
2-2-0
3
MUS 444
Projects in African Music
3-0-0
3
MUS 490
Music Criticism and Scholarship
3-0-0
3
FAA 402
Advanced Draughtsmanship II
0-1-3
2
FAA 452
Aesthetics
1-1-0
3
FAA 454
Exhibition Display Techniques
1-0-3
2
Restricted Elective within the Department:
COURSE
CODE
COURSE TITLE
PRE-
REQUISITE
L.T.P.
NO. OF
UNITS
MUS 474
University Band IVB
0-0-4
1
Special Electives: Any one from outside the Faculty of Arts. 2-1-0 2
63
THE POSTGRADUATE PROGRAMME
1. Introduction
Nigeria is well known for her rich cultural and artistic heritage, of which Music is an
important aspect. The awareness of the vital role which this heritage can play in nation
building and development has led to an increased demand for well-trained professional
musicians, music teachers, music historians, music technologists and music critics in
educational and cultural establishments, industries and the mass media. This programme of
postgraduate education is a response to this demand.
2. Objectives
The postgraduate programme in the Department of Music is designed to fulfill three
main objectives:
(i) To provide the necessary opportunities for the development of the research
approach to and the awareness of the multifaceted problems of music and
music making in all spheres of life in Nigeria.
(ii) To provide the necessary training and skills that will enable Nigerians function
and perform various specialized roles in the music industry as artists,
producers, directors, teachers, composers, music technologists, theoreticians
and critics.
(iii) To enable musicians and music scholars develop to the fullest, their creative
and academic potentials.
3. Degrees Offered
(a) Master of Arts (M.A.) Music with the following areas of emphasis:
(i) African Music
(ii) Music Composition
(iii) Music Performance
(iv) Music Production and Management
(v) Music Education
(vi) Music Theory and Criticism
(b) Doctor of Philosophy (Ph.D.) Music
4. Admission Requirements
(i) Applicants for the M.A. Degree Programme must satisfy the admission
requirements stipulated by the Postgraduate College.
See admission requirements for the postgraduate College.
64
In addition, prospective candidates are also expected to take and pass a series of postgraduate
placement examination on Theory and Harmony, Musical Analysis, History of Music,
African Music Performance (for those specializing in Performance). The results of the
examination must be approved by the P.G. School prior to the admission. Composition
students are also expected to submit a folio of their musical compositions to the Department
prior to admission.
(ii) Applicants for the Ph.D. programme must satisfy the admission requirements
stipulated by the Postgraduate College.
5. Programme Requirements
(a) Master of Arts (M.A)
(i) Course Requirement
A minimum of 30 course unit is required of which 6 units research would be expected to
make an original contribution to knowledge in the student’s area of specialization. Candidates
should take at least two electives in their areas of specialization. Composition students are
expected to write a thesis based on compositional techniques of a specified music genre
which must be approved by both the Department and the Board of the postgraduate school.
(ii) Course Structure
Compulsory Courses
Code Title Units
MUS 601: Research methods in Music I 3
MUS 602: Research methods in Music II 3
MUS 605: Contemporary African Music 3
MUS 606: Historiography of Music 3
Total 12
Optional Courses
In each semester, a student shall offer two electives each of three (3) units. The elective will
be chosen from the following optional areas.
AFRICAN MUSIC
Code Title Units
MUS 603: Traditional African Music 3
MUS 604: Oral Music in Africa 3
65
MUS 607: Musical Instruments of Africa 3
MUS 608: Theory and Construction of Musical Instruments 3
MUS 609: Seminar in Music I 3
MUS 610: Seminar in Music II 3
MUSICAL COMPOSITION
MUS 609: Seminar in Music I 3
MUS 610: Seminar in Music II 3
MUS 611: Aesthetics of Music 3
MUS 614: Advanced Orchestration 3
MUSIC PRODUCTION AND MANAGEMENT
MUS 609: Seminar in Music I 3
MUS 610: Seminar in Music II 3
MUS 611: Aesthetics of Music 3
MUS 616: Management of Music 3
MUSIC EDUCATION
Code Title Units
MUS 609: Seminar in Music I 3
MUS 610: Seminar in Music II 3
MUS 617: Evaluation of Music Teaching and Learning 3
MUS 618: Historical, Philosophical and Psychological
Foundations of Music Education 3
MUSIC THEORY AND CRITICISM
MUS 609: Seminar in Music I 3
MUS 610: Seminar in Music II 3
MUS 611: Aesthetics of Music 3
MUS 612: Music Criticism and Evaluation 3
MUSICAL PERFORMANCE
MUS 609: Seminar in Music I 3
MUS 610: Seminar in Music II 3
MUS 619: Accompaniment and Improvisation 3
66
MUS 620: Laboratory and Field Methods in
Music Recording and Transmission 3
(iii) Language Requirement
A reading knowledge of any African or foreign language other than English is required.
A student may satisfy this knowledge by acquiring the reading language knowledge of the
languages during the period of study.
(iv) Examination Requirements
(a) Candidates shall be examined in accordance with the Post-graduate College regulation
either by sitting for a three hour examination or by submission of a practical project or
both as appropriate for each course. The examination requirement for bibliographic
courses shall be satisfied by the completion and submission of projects.
(b) In addition to the above, an oral examination of the Thesis/Composition/Final Project
shall take place in accordance with Post-graduate School regulations.
(b) Doctor of Philosophy (Ph.D)
(i) Course Requirement
A minimum of 12 units is required beyond the M.A. level as well as a Thesis (6 units) of
much greater depth than the M.A. Thesis. On successful completion of course-work with a
minimum of B+ average and before a final admission to the Ph.D. candidacy, a student is
expected to take and pass an oral qualifying examination in accordance with the regulations
of the Post-graduate College.
(ii) Details of Courses for Ph.D.
All students shall be required to take a minimum of 12 units, 9 of which shall be taken in the
following compulsory courses while the remaining 3 units shall be taken from the optional
courses. Candidates who had their M.A. degrees from other Universities may have to audit
prerequisite courses in deficient areas.
Compulsory Courses
Code Title Units
MUS 631: Advanced Seminar in Music I 3
MUS 632: Advanced Seminar in Music II 3
MUS 633: Notation and Transcription of Music 3
MUS 635: Musical Acoustics 3
Optional Courses
MUS 634: Oral Music in Africa II 3
MUS 638: Theory and Construction of Musical Instruments II 3
67
MUS 642: Laboratory and Field Methods in Music
Recording and Transmission III 3
(iii) Language Requirement
A reading knowledge of any African or foreign language other than English is required. This
requirement may be satisfied by acquiring the reading knowledge of the language during the
period of study.
(iii) Examination Requirements
1. Candidates shall be examined either by sitting for a three hour examination or
by submission of a written report of a project or both as appropriate for each
course.
2. On completion of course work and before admission to Ph.D. candidacy, a
student must pass Ph.D. qualifying examination in accordance with the Post-
graduate College regulation.
3. A final oral examination of the candidate’s Thesis shall take place in
accordance with the Post-graduate College regulation.
6. COURSE DESCRIPTION
MUS 601 – Research Methods in Music I
The use of dictionaries and encyclopedias, journals and periodicals, monographs,
biographies, music manuscripts, year-books and discographies, survey of Music Libraries and
their collections, musical instrumental collections in various archives and museum printers
and publishers. In addition, one of the following options would be studied, depending on
student’s area of specialization:
(Composition Option)
An investigation of musical manuscripts and scores of various styles, including a study of
treatises on specific works study of various compositional styles such as: Prolonged
extension, transition and retransmission, connections, separationism, overlap, elisions.
Expectation and surprise, Development procedures; repetition and contrast. Composing a
medium-length homophonic or polyphonic work. Composing a large-scale instrumental
work, presentation and discussion of class assignment on selected styles.
(Music Production & Management Option)
Preparation and production of articles, thesis, technical report and the writing of “Production
Books” etc. Practice writing on a number of selected topics to be given in class.
68
(Music Education Option)
An exposure to the different types of education research (i.e. descriptive historical, causal-
comparative, correctional experimental methods, explanatory/formative studies, field
studies/case studies etc) and practice and identification of research problems, formulation of
hypothesis, data-gathering process and analysis and interpretation of data using appropriate
research tools.
(Music Theory and Criticism Option)
A discussion of theories of form and style, and the relations and cross-currents among
contemporary criticism in different media. Statistic analysis, sociological criticism,
psychological theory and traditional philosophy.
(Music Performance Option)
An investigation into the history of musical performance. A study of written records, early
methodology and modern technical methods and various other perspectives of an enlightened
performance technique.
MUS 602 – Research Methods in Music II
Preparation and production of book reviews, record review, thesis, books, technical and
survey reports, etc. on African music and Ethnomusicology. The fundamental styles in the
manuscript preparation of each species of monographs, writing for Newspapers and
Magazines, the practice writing on a number of selected topics to be given in class.
Continuation of students’ options in their respective areas of specialization.
MUS 603 – Traditional African Music
A study of the main genres of traditional music in Nigeria/Africa with regards to their forms,
contents, functions and usage. Examination and evaluation of major theories on African
Music and African Musical Aesthetics.
MUS 604 – Oral Music in Africa
A study of the vocal musical genres with special reference to their origin, character stylistic
features, mode of form and mode of performance and transmission; varieties of vocal and
musical genres including ritual songs, folktale sons, game songs, lullabies, initiation songs,
work songs, circumcision songs, panegyric songs, war songs, dirges, laments, odes, didactic
songs, satirical songs, contents, forms and performance practices; the role of oral music in
society in the changing role and context of oral musical performance in today’s modern
technological, communicating media.
MUS 605 – Contemporary African Music
A study of the origins and growth of contemporary African Music. A survey of the major
trends, influences and musicians involved in the contemporary musical movement and the
various musical works bequeathed to humanity.
69
MUS 606 – Historiography of Music
General histories of music including the philosophies and theories of music history from
classical antiquity to the present; the religious, naturalist and ethnical theories; the
comparative, organic and evolution theories; the developmental and naturalist theories; the
philosophies of origin, progress, change and continuity in music history; musical historicity
and historiographers especially in traditional societies: sources of and evaluation.
MUS 607 – Musical Instruments of Africa
A research course dealing with the study and discovery of the various systems of
classification of musical instruments of indigenous traditional societies of Africa and the
relationship of such systems to modern systems of taxonomy. An examination of the
structure, form and distribution of musical instruments in Africa, traditional ethnic
classification, modern systems of classification, basis of classification, geographical
distribution of musical instruments; local and generic names of musical structure, mode and
form of musical instruments and of each taxonometric group.
MUS 608 – Theory and Construction of Musical Instruments
A study of relevant theories and historical back-ground leading to inventions and
constructions of specific musical instruments; design, construction strategies and logistics of
production of musical instruments. Applied acoustics in sound production. Determinant
factors like the differential values between the Terzian of Pythagoras, Synthetic Komma for
temperament setting (Drum, Organ, Xylophone, etc), imaginative figuration, artistic and
architectural rendition and subsequent interpretation into three-dimensional form.
MUS 609 – Seminar in Music I
Seminar in Music as a course examines salient elements in various areas of specialization
with the following options:
(African Music)
Research Seminar concerned with defining and identifying norms that are germane to or are
in the domains of African music studies: Development of valid scientific mechanisms for
evaluating such studies; the domains of African musical studies, the conceptual and the
philosophical basis of African studies, the historical basis of African musical studies from
1500 AD to present. Analytical tools used in the study o African music; the historical,
ethnological, anthropological, sociological and geographical approach to the study of African
music, the field and laboratory approach, collecting, processing and evaluating data;
transcription and notation methods used in the graphic description of African music,
photographic and phonographic methods.
(Music Composition)
Problem of conceptualizing and realizing a literary music that is idiomatically African, with
regards to style. Discussion on pre-compositional consideration: style, medium, motives,
length, mood and character, tempo; range tessitura, climax, extra-musical factors, multi-
movement considerations, intended audience, relationship of composition to theory. Problems
of notation and instrumentation. Historical charts and commentaries, 20th –century music
(i.e. impressionist, atonal/serial, national/traditional etc). Structure form, transposing
instruments, typical ensembles, Orchestral evolution, Band instrumentation, some musical
performance terms (European and African).
70
(Music Production & Management)
Discussion on various problems associated with producing musical programmes for the
recording of albums, stage, radio and television. Production and problems on contemporary
arranging styles of music for radio, television and films, etc. e.g. jingles and signature tunes.
Discussion on aspects of conducting, producing and directing, intensive score analysis
leading to director’s breakdown for production of various forms of music theatre. Script
writing for music programmes for radio and television problems of theme, design and
communication.
(Music Education)
Current problems and issues in music education – philosophical, sociological, psychological,
economic and professional problems in music education, evaluation of the present music
education system in responding of social, human, political and economic problems; research
problems in music education; examination and comparison of innovative methods and
curricular the world over, e.g. kodally, Fela Sowande’s Music curriculum for Nigerian
Schools.
(Music Theory and Criticism)
Defining and identifying the problems of music criticism in general and developing the
necessary methodological tools required to function as a theoretician, critic and evaluator of
aesthetic works in music for both the general and the specific audiences.
(Music Performance)
A study of the ethnography of musical performance. i.e. the many perceptions of what is
happening when music is played or sung, and the relationships between the sounds produced
and the attendant social and cultural process, especially with regards to inter-cultural
performance problems. Structure and meaning of musical sound; diverse perceptions of the
makers, users, and researchers of music as well as the behavioural data emerges in
performance situations.
MUS 610 – Seminar in Music II
Continuation of MUS 609. Examination of the application of various theories and current
developments in the field. Various options to be intensified as areas of specialization, include
African Music, Music Composition, Music Production & Management, Music Education,
Music Theory and Criticism and Music Performance.
MUS 611 Aesthetics of Music
A survey of the literature of Music aesthetics from Pythagoras and Plato to the present
including an examination of the various theories of indices, gestalt, matrix and the absurd; the
theories of musica mundana, musica humana and musical instrumentalis. The heteronomus
theories of the allegorical, programmatic and poetical – the phenomenological theory of the
autochthonous and the autonomous. The course will examine in particular, the principles
which govern the concept of musical aesthetics in selected African societies and the doctrines
of musical taste.
MUS 612 Music Criticism and Evaluation
A course devoted to critical writing and evaluation of musical composition and performance;
factors in critical evaluation of musical performances; theory of criticism, the various schools
of criticism, criticism as style, criticism as value judgement; the critic and society; the role of
the critic, simulated and field exercises in music critical writing and evaluation.
71
MUS 614 Advanced Orchestration
An exploration of orchestration with emphasis on techniques and styles in both African and
European music. There will be a study of traditional African ensembles organization,
concepts and terminologies that inform the processes of orchestration (i.e. of drums,
xylophones, flutes, trumpets, etc).
MUS 616 Management of Music
A brief exposition and analysis of the roles of the people in the music business, including the
music producer, director, personnel manager, agent, etc. the organisation and management of
live concerts, music studio, radio and television production: concert promotion and publicity;
music publishing and printing, performing rights societies; Nigerian Music Unions such as
the PMAN, GOMAN, NUM, COMEN – and other related Unions such as RATTAWU, the
Nigerian Music recoding companies and institutions: origin and history; companies involved
in the promotion and distribution of music records and music cassettes; obtaining copyrights;
music publishing contracts, recording company rights, record company contracts, the
copyright law, the entertainment law, the strategies of taking charge.
MUS 617 Evaluation of Music Teaching and Learning
An overview of the role of evaluation in music education. Theory underlying the
construction, evaluation and use of educational tests represented. Development and use of a
wide variety of evaluation tools. Considerable attention is given to the application of
instruments other than paper and pencil; utilization of published tests and other approaches
e.g Drake’s Musical Aptitude tests, Watkin Farnum’s Performance scale etc.
MUS 618 Historical, Philosophical and Psychological Foundations of Music Education
An analysis of the major historical, philosophical and psychological factors shaping music
education from early beginnings to the present; theories and concepts of music education and
their relevance to Nigeria. Definition of concepts of learning and their relationships to
traditional theories of musical learning.
MUS 619 Accompaniment and Improvisation
An exploration of standard vocal or instrumental repertoire in various cultures. Emphasis on
technical problems. Practical performance experience in various ensembles and with
individuals. Contribution of musical solos through melodic and rhythmic applications.
MUS 620 Laboratory and Field Methods in Music Recording and Transmission
Concepts, techniques, arts and problems of the audio and the optical documentation of
musical events and musical materials in a variety of contexts (studio, hall, field) and for a
variety of purposes (archival, study, publishing, live transmission) minimal and maximal
documentation, acoustical and optical documentation of musical events and materials.
M.A Thesis
A thesis is required which shall be on any topic approved by the Postgraduate School on the
recommendation of the Department through the Faculty. The Thesis must make some
contribution to knowledge in the student’s subject area.
72
Ph.D. Courses
MUS 631 Advanced Seminar in Music I
Current problems in Ethnomusicology. These include the scientific system of notation
adequate for musical experience in Africa; multi-musicality in pluralistic societies such as
Nigeria and those connected with the re-construction of history of music in Africa/Nigeria
using oral sources. The seminar is expected to develop scientific methods for solving these
problems.
MUS 632 Advanced Seminar in Music II
Continuation of MUS 631
MUS 633 Notation and Transcription of Music
Various notation and transcription systems used in music such as the Daesian, Ekphonetic,
Neumatic, Alphabetical, Mensural, Cipher (musical) Solmisation, graphic, Frames and TUBS
systems. Origins of notation in the early systems such as the Cunei form of the Summerins,
Babylonians and Assyrians, the Egyptians’ hieroglyphics and the Israelites’ Cheironomy;
descriptive and prescriptive systems of notation. Phonophotometer and Melograph as
examples of descriptive notation; other techniques used in descriptive notation and
transcription of music.
MUS 634 Oral Music in Africa II
Continuation of MUS 604
MUS 635 Musical Acoustics
The physical basis of musical sounds, including a discussion of the objective cause of
consonance and dissonance; the generation and propagation of musical sounds; a treatment of
the generation and the various musical instruments and voice, both European and African; the
theory of the overblown fifth; acoustic tempered scales; tuning systems in a number of
selected musical cultures; the characteristics and behaviour of the African open space
acoustic environment; acoustics of the concert halls; musical theatres and music studios.
MUS 638 Theory and Construction of Musical Instruments II
Continuation of MUS 608
MUS 642 Laboratory and Field Methods in Music Recording and
Transmission II
Continuation of MUS 620
Ph.D. Thesis
A thesis based on original research on an approved topic written in accordance with the
Postgraduate College regulations.
73
A LIST
OF TITLES OF DEGREE PROJECTS CARRIED OUT BY THE STUDENTS IN
THE DEPARTMENT IN THE LAST THREE YEARS
S/N
NAME
TOPIC
YEAR
1
ABEL Moses Temitayo
Form and Functions of Ikede Music in Ebiraland
2008
2
AKEREDOLU Ojo
Oladimeji
The Functions and Styles of Iruku Music among Arigidi
Akoko People, Ondo State
2008
3
ADEYA Olusola Oluyemi
The Form and Functions of Music in Obanika and Adim,
nodo Egungun Festival in Ibadan
2008
4
BOLAJI Emmanuel Ajibola
A performance Project (Piano solo)
5
DEDEIGBO Phillip
Analysis of Pieces for Performance Project on Bflat
Soprano Saxophone
2008
6
DAVID Rhoda Omodara
Life and Works of Dupe Olulana A Nigerian Gospel
Artiste
2008
7
JAIYEOLA Samson
Opeyemi
Forms and Functions of Irele Festival Music in Ikirun
2008
8
ORADARE Oluseye Olusola
Life an Works of Allaji Yekinmi (Y.K.0 Ajadi (An Apala
Musician)
2008
9
ADANLAWO Omowunmi
Dorcas
The Context and Roles of Folk Songs among Ootunga
People of Ikole Ekiti, Ekiti State
2010
10
ADESOJI Abidemi Adekemi
The Performance Practice and Functions of the Music of
the Ijo Orunmila in Oke-Itase, Ile-Ife
2010
11
ADEWON Adedayo .
Functions and Roles of Music in Orogun Festival in
Idanre
2010
12
AKINLEYE Emmanuel A.
The life and works of Sulaiman Alao Adekunle (A.K.A.
Malaika)
2010
13
AKINOLA Olutola F.
A Contrastive Acoustic Analysis of Studio Production and
Concert Hall Production (A Case Study of Sonic Studio
and O.A.U.Amphi Theatre)
2010
14
ALARIBE Onyekachie E.
Functions and Structures of Music in Nigerian Gospel
Churches: Deeper Christian Life Ministry
2010
15
AOKO Olakunle Samuel
The life and Works of Alloja Sheidat Fatimah G.R.A., Al-
jafariyat)
2010
16
AWOGBADEBO Adeyemi
Nurudeen
The Functions of Music in the Advertising Industry in
Nigeria (A Case Study of Gold F.M. 95.5, Ilesa
2010
17
ANYAGBEMI Dupe Christy
The Function of Music in Sango Pipe: Sango Worship in
Oyo
2010
18
ANYANGBILE Victor
Ayantoye
Forms and Structure of Music used in Oyo-Toro (A socio-
cultural Festival in Oyo Town)
2010
19
AYANTAYO Phillip
Temitope
African Native Airs in Nigerian Church Music
20
BODE David
A Pedagogy of Teaching and Learning Folk Songs in
Ponyan Community of Yagba East Local Govt., Kogi
State
2010
21
BRAIMOH Olalekan
Olusegun
A Comparative Analysis of Yoruba Film Music: A Case
Study of Yekini Ajile, Epic Films and Adebayo
Contemporary Films
2010
22
ENUANWA-VINCENT
Forms and Functions of Music in the Palace of the Oba of
2010
74
Josephat
Benin, Edo State
23
ERAYANMEN Monday
Indigenization of Church Music in Nigeria with
Evangelical Church of West Africa (ECWA)
2010
24
FATOKUN Azeez Omololu
The Function of Music in Egungun Festivals in Ibadan,
Oyo State, Nigeria
2010
25
IDOWU Olusegun Adesayo
The Role of Music in Public Awareness Creation About
HIV/Aids in South Western Nigeria
2010
26
MAGAYAKI Suchet
The Application of Music Soft-ware in Digital Music
production in Nigeria
2010
27
MEKOMA Hilary
Ogochuckwu
The indigenization of Hip-Hop Music in Nigeria (A Case
Study of Abolore Adegbola Akande (A.K.A. 9ice)
2010
28
MOSES William Iro
Forms and Structure of the Music of Panam Percy Paul:
A Nigerian Gospel Musician
29
MUSA Lasisi
The Prospects and Challenges of Digital Music in Nigeria
2010
30
OGUNDIPE Samuel
Akinyemi
The Evaluation of Contemporary Musical Video
Production: Pop-Hip-Hop Scene in Nigeria (A Case Study
of Lanre Fasasi)
2010
31
OGUNNUPE Francis
Olusegun
The Problems of Music Business in Nigeria: A Case
Study of Renbo Music and Services International, Ibadan
2010
32
OLOWOOJE Akinrinde
Ayodele
The Impact of Sequencer on Gospel Music in Nigeria (A
Case Study of Digital Drumming)
2010
33
OLUFEMI Michael Sunday
The Life and Works of El-haji Wasiu Kayode As-sideeq
(An Islamized Musician)
2010
34
TAIWO Samuel Olusegun
The Effect of Technological Advancement on Highlife
Music in Nigeria
2010
35
ABAH Jeremiah
Ogodunwene
Music Production Techniques in Fishers of Men Gospel
Digital Studio in Kwali Town, Abuja
2011
36
ADEJUBE Samuel Ayoola
Ife (Love) For Voices and Selected Western and African
Instruments
2011
37
ADENIJI Oluwasayo Segun
The Acoustic Management in Studio Recording: A Case
Study of Shalom Studios, Ile-Ife
2011
38
AKWARANDU Angela
Onyinyechi
Voice Expressivo: The Singing of an Angelic Voice (A
Performance Project)
2011
39
AWOLEKE Samuel
Oluwatosin
Life and Works of Paul (Play) Dairo: An Enigmatic
Nigerian Hip hop Artiste
2011
40
DOGBA Oluwafemi Afolabi
E Go Beta: For Voices and Selected Western and African
Instruments
2011
41
IJAYEKUNLE Tobi
Emmanuel
Acoustic Design and Sound Management for Auditorium
Musical Performance: Using All Souls’ Chapel OAU as a
Case Study
2011
42
ILIYA Yamai Nehemiah
Guitaring De Chord: Licking the Strings (A Performance
Project)
2011
43
KING Ola Azeez
Life and Works of Olurotimi Osukoya (Telemi): An
Enigmatic Nigerian Gospel Musician
2011
44
OKENIYI Michael Folarin
A Comparative Analysis of Analogue and Digital
Recording Techniques in Music Room Studios, Ibadan
2011
45
OLASINDE Oludayo Ponle
Life and Works of Goke Bajowa: An Enigmatic Nigerian
Gospel Musician
2011
75
46
OLAWALE Priscilla
Olanike
Life and Works of Olanike Olawale: A Nigerian Gospel
Artiste
2011
47
SOSANYA Olusanu
Benjamin
Functions and Structure of Oro Festival Music in Sagamu,
Ogun State
2011
48
AGBOTA Olugbenga
Akeem
Music as a Tool for Children Growth and Development in
Ibadan Metropolis
2011
49
AKINREMI Aanuoluwapo
Remilekun
The Socio-cultural Elements of Court Music in the Palace
of Alake of Egbaland
2011
50
OGUNDOKUN Daniel
Tunde
Sekere Music in Yoruba Traditional Society: A Case
Study of Oyo Alaafin
2011
51
OLADELE Adenike
Olutoyin
Functions of Film Music in Nigerian Movie Production: A
Case Study of Yoruba Movie Indnstry
2011
76
ALUMNI LIST
S/N
NAMES
SESSION
1.
ENESI, JOHN MOMOH
1982
2.
DELANO, OLANREWAJU
3.
ALEGBELEYE, EMMANUEL KOLAWOLE
1983
4.
DOSUNMU, OLUYEMISI ADEITAN
5.
GRILLO, ESTHER ADEREMILEKUN
6.
NWAJIOBI, TIMOTHY AZUBUIKE
1984
7
SADOH, GODWIN SIMEON
1987
8
POPOOLA TEMILADE VICTORIA
9
OKOH, FRANCIS OGO
10
IGE, AKINLOLU
11
BAMISAYE, MOSES AYODEJI
12
OYELAMI, BOLANLE MUTIATU
13
MUNIS-BABATUNDE, FOLAKE OLA-OLU
14
FADEYI. AYOBOLA ELIZABETH
15
QUAYE, MARIA KIKELOMO
16
THOMAS, AYOBAMI
17
IPAYE, REMILEKUN ADENIKE
18
ADEDEJI, SAMUEL OLUFEMI
19
ADEWUMI, JOYCE TITILAYO
20
AJAYI, ADENIKE TITILAYO
21
ALADE, LAWSON BABAFEMI
22
AYANLOLA, AYANNIKE YETUNDE
23
AYENI, MAGARET BOLANLE
24
ALIMI, RAIFU ALADE
25
OGUNDELE, ESTHER OLUBUNMI
26
IGE, OLUSEGUN BAMIDELE
27
AFOLABI, FOLASADE OLUWATOYIN
28
AWONUSI, ELIZABETH FOLAKE
29
OWOAJE, TOLULOPE OLUSOLA
1988
30
ADEOLA, TAIYE SHOLA
31
THOMAS, TAIWO THERESA
32
ADEMAKINWA, EBENEZER OLUFEMI
33
MUSA, AHMED MAKU
34
OMOLE, EBENEZER EKUNDAYO
35
FADEYI, AYOBOLA ELIZABETH
36
MUNIS-BABATUNDE, FOLAKE OLUSOLA
37
UZOIGWE, IHUOMA BEATRICE
38
OKELOLA, MARIAN OMODARA
1989
39
ADESINA, PETER ‘BOLA
40
RUFAI, ADIJAT BOLNLE
41
OLLEY, ORITSEJE OLUYOMI
42
SOSANYA, IRENE OLUFUNSO
43
DARAMOLA, OLUSAYO MATTHEW
44
OGUNNIYI, ADEDAYO OLUDARE
77
45
OYADIRAN, KOLAWOLE EMMANUEL
46
ADENIRAN, AKINTUNDE MICHAEL
47
OWOAJE, OLUWASAN BABABUSOLA
48
OYENIYI, GABRIEL OLATOKUN
49
FASIPE, EMMANUEL OLUSOLA
50
LAYADE, ATINUKE ADENIKE
51
OBI, JOY NWAULOAKU
52
SUTTON, SUSAN OLUWALOYIN
53
BANDELE, BOLANLE KEHINDE
54
POPOOLA, ISSAC AYOADE
55
IDOWU, ABIODUN OLUSEGUN
1990
56
OBETA, MATTHEW UWADIEGWU
57
AKABOGU, SUSAN UCHE
58
MODEBE, MONICA NKOLIKA
59
OSUNIYI, JOSEPH AKINMUBO
60
OGUNTOYINBO, OLUFEMI OMOTOYOSI
61
OLADEJI, SAMSON OYETUNDE
62
BALOGUN, ESTHER ADEBIS
63
SAMUEL, KAYODE MICHAEL
1991
64
ADEYINKA, OLUFEMI EDMOND
65
AHMED, ADEREMI SIDIKAT
66
ANIH, BONIFACE CHIJIOKE
67
OGUNMOKUN, ADENIYI IDOWU
68
OLUSOLA, KAYODE OLAREWAJU
69
OLUWAFEMI, AYO DANIEL
70
ONYEOGU, TOBIAS CHAEGBULAM
71
OYE, OLUWATOYIN DORCAS
72
THANNI, BABASOLA ADENIY
73
AINA, DAVID OLUDAISI
74
AJISEFINNI, KUDIRAT MODUPE
75
OLADAPO, ISAAC OLUKAYODE
76
AKINSIJU, FOLASADE FOLAYEMI
77
OLATUNJI, MICHAEL OLUTAYO
1992
78
UDO, ISAAC ESSIET
79
ODEYEMI, EMMANUEL OYENIYI
80
AMADI, OSADEBE CHINEDOI
81
DAHUNSI, OLUSOJI
82
OJUOLA, BENJAMIN OLUSEGUN
83
OWOLABI, ABIODU GBENGA
84
TIJANI, HAJARAT KEHINDE
85
ADEBAYO, LYDIA OLUPONMILE
86
AGBOOLA, ADEDAYO EBENEZER
87
BEWAJI, ABIMBOLA RACHAEL
88
DUROJAIYE, SOLOMON ADEMOLA
89
OJELABI, CORNELIUS OLUFEMI
90
OMOTOSHO, SUNDAY
91
OYELEKAN, EZEKIEL AYOADE
92
THOMPSON, ELIJAH OLAGOKE
78
93
NOWOOLA, GBOLAHAN ABDUL RAFIU
94
KANU, SAMUEL CHUKWUDI
95
EJAKA, OMONUYA CLEMENT
96
OLAWALE, JAMES HENRY
97
AKUBUILO, ELIJAH CHIBUZOR
1993
98
ABEGUNDE, SUNDAY OLUWAKAYODE
99
AKPOM, FLORENCE CHIZOBA
100
ONUWE, MOSES
101
ADEBISI, ISAAC ADEMOLA
102
ADEDOYIN, PATRICK ABIODUN
103
ATUNDAOLU, OLUTUNBOSUN SAMUEL
104
FASIPE, EZEKIEL KEHINDE
105
OGUNJIDE, ADESOLA YINKA
106
AKANO, EBENEZER OLUDARE
107
ANOSIKE, PAMELA EBERE
108
OGUNTADE, DAVID OLUYEMI
109
ONOJA, BAMEYI SAMUEL
110
UMENWUNE, NJIDEKA
111
AKINTUNDE, ADEBIMPE ARINOLA
1995
112
AKINBANJI, TOLULOPE TITILOLA
113
OGUNOLA, FUNMILAYO
114
OGUNTADE, OLADIMEJI MOSES
115
AWOTUNSIN, PAUL OLUMUYIWA
116
OLAOSEBIKAN, OLUWAROTIMI OYENIYI
117
OROYEMI, ADEDOKUN ADEGBOYEGA
118
KAYODE, ADETOKUNBO
119
OMIDEYI, OLADAPO AKINYEMI
120
ILECHUKWU, NICHOLAS DHIDOZIE
121
MORAKINYO, SUNDAY OLATUNDE
122
OLAWUNI, TITILAYO OLUWAKEMI
123
AKINWOLE, OLUSEUN CLEMENT
124
OKEDIJI, JAMES OLUGBENGA
125
‘KOGBE ‘TUNBOSUN
126
SOPEIN, JOSHUA OLUKAYODE
127
ABEGUNDE, FESTUS OLUSESAN
128
OLAKITAN, DAVID OLUFEMI
129
OYESIKU, OLUFUNLOLA OYEWOLE
130
ADEBAYO, FUNMILOLA TEMITAYO
1996
131
EZINA, ABIODUN RAMATU
132
MAKUN, MARY OLADUNNI
133
AKINBANJI, EBUNOLORUN OLUMUREWA
1997
134
FALOHUN, STELLA ADEDOLA
135
IBEAGI, MBAMA TORNADO
136
FABAYO, ADEYINKA ADENIYI
137
ADU, EMMANUEL OLUGBENGA
138
AKWARANDU, CHIMERAM ADAKU
1998
139
PINMILOYE, OLUKUNLE JUSHUA
140
BABALOLA, SUNDAY OLUDELE
79
141
BABAWALE, JONATHAN GBENGA
142
AKINTUNDE, GBEMINIYI ADEWALE
143
NATHANIEL, EBIPATEI EBIOHA ABEL
144
OYELEYE, OLAGOKE LAWRENCE
145
AWE, RONKE MOPELOLA
146
OLAREWAJU, OLUWAKEMI FLORENCE
147
DOSUMU, OYEBADE AJIBOLA
1999
148
AKERELE, KEHINDE OLAWANDE
149
AKINTUNDE, IBIJOKE OMOYEMI
150
ATODE, RAPHAEL OLUWAFEMI
151
DUROJAIYE, OLUWATOYIN OREOLUWA
152
OSHO, ELIZABETH ADETOUN
153
FADEYI, SEGUN SAMSON
154
ALE, YEMISI OLUWAFEMI
155
AREMU, ABIMBOLA BOLANLE
156
ODUSANYA, TOYIN ESTHER
157
OLOKUNGBOYE, MICHAEL
158
ORODUNSIN, ADEDOYIN ESTHER
159
MEBUDE, ADEBIMPE TEMITOPE
160
ELUGBAJU, ABIOLA OLAOLU
161
ODEJIDE, OMOYAYO FEHINTOLUWA
2001
162
OYEWUSI, FOLAKE OLUSOLA
163
BABARINSA, ISA OYETUNJI
164
EKUNWALE, JACOB AYOADE
165
ABOLUWARIN, RUTH PELUOLA
166
LEMOSHE, OLAOLUWA OLADIPUPO
167
ODIAMEHI, LUCY
168
OWOLOJA, DUPE ROSELINE
169
OJO, LYDIA ADRONKE
170
ABEGUNDE, ADEOLU
171
ADEDAYO EZEKIEL BABATOPE
172
ADEGBILE, ELIJAH EYITAYO
173
IBE, CHINWE ANGELA
174
ODERHOWHO, CONFORM FUNMI
175
ODEYEMI, DEBORAH FUNMILAYO
176
OGUNMILORO, BOLAJI OMOTAYO
177
OLADIMEJI, FEMI KAYODE
178
OLUNIYI, OLUSAKIN
179
ALEMEDE, EMMANUEL OYETUNJI
180
AKINYEMI, ANTHONY KOLAWOLE
2002
181
EMMANUEL, OLANIYI SAMUEL
182
ORE BAJO, MARY TAIWO
183
ADEBOYE, EMMANUEL OLUWASEGUN
184
OLAGUNJU, JAMES TAIWO
185
FADIMU, ADEOLU ODUNAYO
186
FUNMINIYI OLUSOLA ISAAC
187
LAWWANSON, OLUWEMIMO OLAWUNI
188
OGUNYEMI, OLUSEGUN ADEWALE
80
189
OKETUNJI, GBEMISOLA TOYIN
190
ODUSOLA, OMOPARIOLA ROTIMI
191
EBHONUN, FESTUS AZINGBEMI
192
AJAYI, OLUWASESAN VICTOR
2003
193
IKOMI, TEMISAN JUDE
194
OMOSILADE, TEMITAYO ABAYOMI
195
OSATOBERU, TEMITOPE OLAOLU
196
BABALOLA, JOSEPH OLADIPUPO
197
ASAOLU, OPEYEMI ADEYINKA
198
FALANA, OLUSEGUN EZEKIEL
199
ADENIJI, OLUWATOYIN OLATUNJI
2005
200
BOROKINI, RUTH FOLASHADE
201
OLIYIDE, OLANREWAJU OLUWATOSIN
202
ORISATADE, ADEBUSUYI SAMSON
203
ADEKOLA, OLAOLU EMMANUEL
204
ALABI, ADEDAYO AYOMITAYO
205
JINADU, OMOTOLANI OLAITAN
206
ADEWOLE, ADEDIMEJI BOSEDE
207
BAIYERE, SEGUN DAVID
208
EMENYIONU, CLEMENTINA OGECHI
209
BALOGUN, KAZEEM OMOLADE
2006
210
FATUNMISE, OLAYIDE OLUDARE
211
AMOLE, AMOS BLESSING
212
OYETAYO, SEUN BENJAMEN
213
OKPOLE, SAMSON OKEOGHENE
214
DARAMOLA, TOLULOPE OYEDEJI
215
ADEBAYO, OLUGBENGA ABAYOMI
216
ADEDIRAN, KEHINDE ADEMESO
217
AKEREDOLU, OJO OLADIMEJI
218
FAMAKINDE, TOLUWATOPE TIMOTHY
219
OBIMAKINDE, ADEBOLA OLAOLUWA
220
ONOH, ANTHONY ONYEKACHI
221
OSUNTUYI, OLUMIDE JOSEPH
222
EZEH, IFEOMA VICTORIA
81
PUBLICATION
Nigerian Music Review - No. 1 (1977) to No. 9 (2009)
PATENT
Celebrations - An Audio CD released during the 2005 Convocation Ceremony
