Noel Jones first sang chant in a choir of men and boys and followed that up
by chanting daily masses before he was a teenager in a small town in Ohio.
Summer studies with Benedictine monks took him further along the
chant path prior to his leaving for New York City where he directed Catholic
choirs and was organist at the Church Center for the United Nations as well as
accompanist for the United Nations Singers. Later in Germany he was organ-
ist for the English masses at the DOM Cathedral in Frankfurt.
Picking up work as a chor-repetiteur in Germany he was involved in
vocal coaching as well as a musical direction in Frankfurt, Berlin, Hamburg,
Bremen and Munich. Of the three Broadway musicals he led there, he con-
ducted two recordings and the European premiere of one. Having experience
setting translations to scores, he was engaged to do so in Germany, the United
States and eventually Italy, where he set the Italian text for Sir William Wal-
ton’s opera The Bear. He also served as chor repetiteur and rehearsal conduc-
tor for that performance under the supervision of Sir William.
During this time he played for masses at Il Duomo in Barga, Italy, as
well as producing and conducting the town’s annual San Cristoforo Day cel-
ebration concert in the 11th century church.
Working as a church organ designer , he eventually located in Tennes-
see, where he joined the staff of a Catholic church as director of music involved
in returning church music to chant and polyphony. He along with Mary C.
Weaver have founded Musicam Sacram, a CMAA chapter in East Tennessee.
His first chant book, A Beginner’s Guide To Reading Gregorian Chant
Notation, has been one of the most frequently books on chant purchased on
Amazon.com.
A Beginner’s Guide To Reading Gregorian Chant Notation
A Beginner’s Guide To Singing Gregorian Chant Rhythm
A Beginner’s Guide To Singing Gregorian Chant Using Solfeggio.